| Videos (see all 3) |
| Dawn Addams | ... | Marion Menil | |
| Peter van Eyck | ... | Henry B. Travers | |
| Wolfgang Preiss | ... | Prof. Dr. S. Jordan / Peter Cornelius / Dr. Mabuse (also as Lupo Prezzo) | |
| Gert Fröbe | ... | Kriminalkommissar Kras | |
| Werner Peters | ... | Hieronymus B. Mistelzweig | |
| Andrea Checchi | ... | Hoteldetektiv Berg (as Andrea Checci) | |
| Howard Vernon | ... | No. 12 | |
| Nico Pepe | ... | Hotel-Manager | |
| David Cameron | ... | Michael Parker (as David Camerone) | |
| Jean-Jacques Delbo | ... | Cornelius' Butler | |
| Marielouise Nagel | ... | The Blonde Luck | |
| Reinhard Kolldehoff | ... | Roberto Menil alias 'Klumpfuß' | |
| Lotti Alberti | ... | Schwester Agnes | |
| Albert Bessler | ... | Hotel-Ingenieur | |
| Manfred Grothe | ... | Kriminalassistent Keyser | |
| Renate Küster | ... | TV-Ansagerin | |
| Maria Milde | ... | Zimmermädchen | |
| Rolf Möbius | ... | Police-Officer | |
| Linda Sini | ... | Corinna | |
| Rolf Weih | ... | Interpol-Chef | |
| rest of cast listed alphabetically: | |||
| Werner Buttler | ... | No. 11 (uncredited) | |
| Dieter Hallervorden | ... | Fotoreporter (uncredited) | |
| Hans W. Hamacher | ... | BKA-Chef (uncredited) | |
| Christiane Maybach | ... | Maid (uncredited) | |
| Bruno W. Pantel | ... | Reporter #1 (uncredited) | |
| Egon Vogel | ... | Polizeiarzt (uncredited) | |
| Wolfgang Völz | ... | Barkeeper Karl (uncredited) | |
Directed by | |||
| Fritz Lang | |||
Writing credits | ||
| Fritz Lang | (screenplay) and | |
| Heinz Oskar Wuttig | (screenplay) | |
| Jan Fethke | (idea) (as Jan Fethge) | |
| Norbert Jacques | characters | |
Produced by | |||
| Alfred Bittins | .... | executive producer | |
| Artur Brauner | .... | producer | |
| Fritz Lang | .... | producer (uncredited) | |
Original Music by | |||
| Bert Grund | |||
Cinematography by | |||
| Karl Löb | |||
Film Editing by | |||
| Walter Wischniewsky | |||
| Waltraut Wischniewsky | |||
Production Design by | |||
| Erich Kettelhut | |||
| Johannes Ott | |||
Costume Design by | |||
| Ina Stein | |||
Makeup Department | |||
| Heinz Stamm | .... | makeup artist | |
Production Management | |||
| Richard Oehlers | .... | unit manager | |
| Joseph Thuis | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Walter Wischniewsky | .... | assistant director | |
Sound Department | |||
| Eduard Kessel | .... | sound | |
Camera and Electrical Department | |||
| Arthur Grimm | .... | still photographer | |
| Karl-Heinz Linke | .... | assistant camera | |
| Werner Schramm | .... | lighting design | |
| Ernst Zahrt | .... | assistant camera | |
Music Department | |||
| Gerhard Becker | .... | musical director | |
Other crew | |||
| Curt Ackermann | .... | voice dubbing: Wolfgang Preiss (as Peter Cornelius only) | |
| Dagmar Altrichter | .... | voice dubbing: Dawn Addams | |
| Joachim Cadenbach | .... | voice dubbing: Nico Pepe | |
| Knut Hartwig | .... | voice dubbing: David Cameron | |
| Harry Wüstenhagen | .... | voice dubbing: Andrea Checchi | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
The last film that Lang directed, this was to be his triumphant return to Germany after having fled the Nazis in the late 1930's. Unfortunately, it was brutally cut and re-edited when it was released here, so it never gained the popularity and acclaim that it deserved. It's the story of an American businessman in Berlin who is drawn into a secretive world of conspiracies, spies, and murder. Everyone in this movie is lying to him, with the single exception of the police inspector, played by a pre-"Goldfinger" Gert Frobe. But it's also the movie that effectively laid down the basic rules of the modern spy thriller: the handsome and well-dressed leading man who is equally at home with a gun, a girl, or a drink in his hand, the megalomaniacal and shadowy villain with plans for world domination, the gadgetry and surveillance, the hidden lair, etc. Don't be put off by the fact that it's a foreign, black and white movie this is an exciting story told by a master director who has been unforgivably forgotten.