Robin, a young Norman nobleman, is falsely accused by his cousin of murdering another cousin. His accuser is actually in league with the corrupt Sheriff of Nottingham to seize control of ... See full summary »
A Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and full of prehistoric monsters and cavemen.
TV personality Robert Danvers, an exceedingly vain rotter, seduces young women daily, never staying long with one. He meets his match in Marion, an American, 19, who's available but refuses... See full summary »
The sheriff of Nottingham plots to confiscate the estate of the Lord of Bortrey, who has died on Crusade. The Archbishop of Canterbury speaks against this plot, and the sheriff plans to eliminate him. Robin Hood pretends to undertake the assassination of the Archbishop for the plotters; Maid Marion, meeting him thinks him the leader of a gang of murderers, and leads him into a trap. Written by
Bruce Cameron <email@example.com>
Oliver Reed's voice is not heard; he's dubbed throughout by another (anonymous) actor attempting to sound like Reed's normal voice. Reed's own voice is heard in the film's trailer, where he adopts a very camp lisping French accent. See more »
In one scene, Robin is asked to shoot at a pumpkin. Pumpkins are a New World squash; the earliest references to Robin Hood are from about 1228, well before Columbus' voyage. See more »
The movie begins and ends with a short song so as to be consistent with the TV series. The song at the end of the movie goes like this: "Friar Tuck his blessing now will give,/The outlaws spare the poor, /And Robin Hood and Marion live/In Sherwood evermore." See more »
Hammer made their name by reworking Frankenstein, Dracula and The Mummy but here they try their hand at Robin Hood. Richard Greene plays Robin Hood while Peter Cushing tackles the role of the Sheriff of Nottingham but the end results are rather dull. Like their horror films, this film has the sexuality and violence picked up but director Terence Fisher doesn't bring anything else to the table. The 2.35:1 aspect ratio makes for some good looking scenes but none of the scenes contain any energy to keep the viewer going. Greene is pretty forgettable as Robin and Sarah Branch as Maid Marian comes off even worse. Cushing is good in his role and keeps the film from being worse than it is. Oliver Reed also has a small role.
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