The sheriff of Nottingham plots to confiscate the estate of the Lord of Bortrey, who has died on Crusade. The Archbishop of Canterbury speaks against this plot, and the sheriff plans to ...
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A travelling circus in 19th century France adopts and showcases a feral "wolf boy", who grows into adulthood only to kill the one-man band. He runs off to Paris, where he develops a jealous... See full summary »
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When King John imposes oppressive taxes and cruel treatment upon the local population in medieval England, the son of legendary bandit Robin Hood reforms his father's "Merry Men" to once more rise against the king.
In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
Two British agents are murdered by a mysterious Neonazi organization in West Berlin. The British Secret Service sends agent Quiller to investigate. Soon Quiller is confronted with Neonazi ... See full summary »
The sheriff of Nottingham plots to confiscate the estate of the Lord of Bortrey, who has died on Crusade. The Archbishop of Canterbury speaks against this plot, and the sheriff plans to eliminate him. Robin Hood pretends to undertake the assassination of the Archbishop for the plotters; Maid Marion, meeting him thinks him the leader of a gang of murderers, and leads him into a trap. Written by
Bruce Cameron <email@example.com>
When Robin takes the cup of water up to Lord Melton, he is without his bow. But the bow is in his hand when he returns to Friar Tuck. See more »
The movie begins and ends with a short song so as to be consistent with the TV series. The song at the end of the movie goes something like this: "And so Robin and his lady/returned to Sherwood Forest,/There to stay evermore." See more »
This is not as bad as all that. Terence Fisher as ever does a competent job, there are reasonable production values and some rather fetching photography. I always thought Richard Greene a little too schoolmasterly for an outlaw, and he is here rather portly, but he can certainly handle a bow. Nigel Greene and Niall McGinnis are well cast as Little John and Tuck, Peter Cushing is an excellent Sheriff, and Richard Pasco does well as the ambiguous Lord Newark. Oliver Reed's camp henchman is perhaps less successful.
The conspiracy plot unfolds at a relaxed pace and resolves satisfyingly. The weakest element is the tacked on romance with Sarah Branch's rather bland Maid Marion.
All in all a rather charming period piece, that gets closer to the spirit of the original ballads than most versions.
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