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The sheriff of Nottingham plots to confiscate the estate of the Lord of Bortrey, who has died on Crusade. The Archbishop of Canterbury speaks against this plot, and the sheriff plans to eliminate him. Robin Hood pretends to undertake the assassination of the Archbishop for the plotters; Maid Marion, meeting him thinks him the leader of a gang of murderers, and leads him into a trap. Written by
Bruce Cameron <firstname.lastname@example.org>
It is fairly obvious that the film was made in Ireland and that much of the smaller part casting was done there; the people in the inn in Bawtry and the nuns in the priory all spoke with Irish accents. See more »
The movie begins and ends with a short song so as to be consistent with the TV series. The song at the end of the movie goes something like this: "And so Robin and his lady/returned to Sherwood Forest,/There to stay evermore." See more »
Sorry, but this one doesn't cut it...Richard Greene only passable as Robin Hood...
This is Robin Hood without any zest...just plain dull.
If you're going to do the Robin Hood story, at least a filmmaker should blend in all the proper elements that make the legendary story so popular, as the 1938 film did with Errol Flynn. But here we have Hammer trying to justice to the tale and unable to disguise the fact that it's done on a low-budget scale with less than impressive actors in all the important character roles.
RICHARD GREENE would have been a suitable choice if he'd played the role on the big screen some fifteen years earlier, but he's clearly too mature (and a bit tired looking) to be the dashing outlaw of Sherwood Forest and this faulty bit of casting extends to the other roles too. I never saw the television series starring Greene so I can't comment on it or make a comparison.
It gets off to a dull start with a meeting between Robin and Marian (SARAH BRANCH) that (as in the Flynn film) has them on less than amicable terms at first sight. The difference here is that she's been bathing in the nude before Robin and his men come along but quickly dresses modestly and has her first rude encounter with the outlaw.
There's no "ye olde English" flavor to the dialog--it sounds more 20th Century than anything else. PETER CUSHING turns up as the Sheriff of Nottingham who wants a wanted criminal that Robin Hood is sheltering. He promises Robin a free pardon if he delivers the criminal to him, but Robin refuses the bargain.
Just as well. The Sheriff turns out to be untrustworthy and never keeps his word. NIALL MacGINNIS doesn't seem rotund enough to play Friar Tuck but he shows up midway through the film to form an alliance with Robin. A further plot device involves the Archbishop of Canterbury, but it's a muddled bit of plotting that seems insufficiently interesting and takes attention away from Robin and Marian.
Summing up: Handsomely photographed in color with some interesting archery scenes, but a lackluster script and so-so performances do nothing to make the film anything but plodding and dull. The story simply has no focal point.
Trivia note: SARAH BRANCH's hair-style and make-up looks straight out of the 1960s--a very modern looking Maid Marian.
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