| Kirk Douglas | ... | Larry Coe | |
| Kim Novak | ... | Margaret 'Maggie' Gault | |
| Ernie Kovacs | ... | Roger Altar | |
| Barbara Rush | ... | Eve Coe | |
| Walter Matthau | ... | Felix Anders | |
| Virginia Bruce | ... | Mrs. Wagner | |
| Kent Smith | ... | Stanley Baxter | |
| Helen Gallagher | ... | Betty Anders | |
| John Bryant | ... | Ken Gault | |
| Roberta Shore | ... | Linda Harder | |
| Nancy Kovack | ... | Marcia | |
| Carol Douglas | ... | Honey Blonde | |
| Paul Picerni | ... | Arthur Gerandi | |
| Ernest Sarracino | ... | Frank Di Labbia | |
| Harry Jackson | ... | Bud Ramsey | |
| rest of cast listed alphabetically: | |||
| Tom Anthony | ... | Minor Role (uncredited) | |
| Ruth Batchelor | ... | Waitress (uncredited) | |
| Mark Beckstrom | ... | Minor Role (uncredited) | |
| Ernie Chavez | ... | Cameo Appearance (uncredited) | |
| Jack Chefe | ... | Waiter at Romanoff's (uncredited) | |
| Lorraine Crawford | ... | Redhead (uncredited) | |
| Dick Crockett | ... | Charlie (uncredited) | |
| Sheryl Deauville | ... | Hat Check Girl (uncredited) | |
| Ray Ferrell | ... | David Coe (uncredited) | |
| Sharyn Gibbs | ... | Girl at Beach (uncredited) | |
| Douglas Holmes | ... | Peter Coe (uncredited) | |
| Betsy Jones-Moreland | ... | Mrs. Gerandi (uncredited) | |
| Judy Lang | ... | Minor Role (uncredited) | |
| Sue Ane Langdon | ... | Daphne (uncredited) | |
| Cynthia Leighton | ... | Mrs. Ramsey (uncredited) | |
| Timmy Molina | ... | Patrick Gault (uncredited) | |
| Forbes Murray | ... | Diner in Booth (uncredited) | |
| Joe Palma | ... | Minor Role (uncredited) | |
| Bart Patton | ... | Hank (uncredited) | |
| Michael Romanoff | ... | Himself (uncredited) | |
| Robert Sampson | ... | Bucky - Truckdriver (uncredited) | |
| Audrey Swanson | ... | Mrs. Baxter (uncredited) | |
| Charles Victor | ... | Minor Role (uncredited) | |
Directed by | |||
| Richard Quine | |||
Writing credits | ||
| Evan Hunter | (screenplay) | |
| Evan Hunter | (novel) | |
Produced by | |||
| Richard Quine | .... | producer | |
| Kirk Douglas | .... | executive producer (uncredited) | |
Original Music by | |||
| George Duning | |||
Cinematography by | |||
| Charles Lang | (director of photography) (as Charles Lang Jr.) | ||
Film Editing by | |||
| Charles Nelson | |||
Art Direction by | |||
| Ross Bellah | |||
Set Decoration by | |||
| Louis Diage | |||
Costume Design by | |||
| Jean Louis | (gowns) | ||
Makeup Department | |||
| Helen Hunt | .... | hair stylist | |
| Ben Lane | .... | makeup supervisor | |
Second Unit Director or Assistant Director | |||
| Carter De Haven Jr. | .... | assistant director | |
Art Department | |||
| Carl Anderson | .... | house designer | |
| Ross Bellah | .... | house designer | |
| K.B. Wamsley | .... | contractor | |
Sound Department | |||
| Lambert E. Day | .... | sound (as Lambert Day) | |
| Charles J. Rice | .... | recording supervisor | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | first assistant camera (uncredited) | |
| Emil Oster | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Fuca | .... | assistant set costumer (uncredited) | |
Music Department | |||
| Arthur Morton | .... | orchestrator | |
| Morris Stoloff | .... | music supervisor | |
Other crew | |||
| Tom Quine | .... | assistant to producer (as Thomas Quine) | |
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| The Upside of Anger | Crazy, Stupid, Love. | American Beauty | Friends with Money | The Painted Veil |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I was totally shocked when I saw this film as a kid, home sick from school. Here was one of my movie heroes, Kirk Douglas and the lovely Kim Novak at her sexiest, and they were NOT doing good things in their neighborhood. Ahhhhhhhhh... so THIS is what was happening while I was at school.
This "adult" themed soaper showed that Hollywood was beginning to change its tune when it came to dealing with issues like infidelity. Douglas plays a successful architect who starts an affair with Novak because he's, well, bored. Douglas' macho performance is tempered a bit and we really feel that he is in love with Novak. This isn't a tawdry affair, we're supposed to believe, because Douglas' performance is so strong. It isn't until late in the film do we realize that these types of affairs are incredibly damaging to all involved and that there are no heroes here.
For establishing a subtle ground-breaking subject matter, for a strong Douglas performance, for the neat cars and a really cool barbecue on the patio (hello 60s... you can just see the neighborhood gang out there, firing up the steaks, sipping on gin and tonics and watching a space shot on one of those metal portable TVs) and most of all for the gorgeous Kim Novak, this soaper has a little more depth than you'd expect.
Watch it.