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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2004 | 2002 | 2001 | 2000

14 items from 2015


Stewart 'in Talks' to Be Featured in Subversive Iraq War Homefront Satire

4 April 2015 1:36 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

Kristen Stewart, 'Camp X-Ray' star, to join cast of 'Billy Lynn's Long Halftime Walk' Kristen Stewart to join 'Billy Lynn's Long Halftime Walk' movie After putting away her Bella Swan wig and red (formerly brown) contact lenses, Kristen Stewart has been making a number of interesting career choices. Here are three examples: Stewart was a U.S. soldier who befriends an inmate (Peyman Moaadi) at the American Gulag, Guantanamo, in Peter Sattler's little-seen (at least in theaters) Camp X-Ray. She was one of Best Actress Oscar winner Julianne Moore's daughters in Wash Westmoreland and the recently deceased Richard Glatzer's Alzheimer's drama Still Alice. She was the personal assistant to troubled, aging actress Juliette Binoche in Olivier Assayas' Clouds of Sils Maria, which earned her a history-making Best Supporting Actress César. (Stewart became the first American actress to take home the French Academy Award. »

- Andre Soares

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John Osborne on Film: The Entertainer

13 March 2015 4:25 PM, PDT | SoundOnSight | See recent SoundOnSight news »

Part I. Anger, Suez and Archie Rice

“There they are,” George Devine told John Osborne, surveying The Entertainer‘s opening night audience. “All waiting for you…Same old pack of c***s, fashionable assholes. Just more of them than usual.” The Royal Court had arrived: no longer outcasts, they were London’s main attraction.

Look Back in Anger vindicated Devine’s model of a writer’s-based theater. Osborne’s success attracted a host of dramatists to Sloane Square. There’s Shelagh Delaney, whose A Taste of Honey featured a working-class girl pregnant from an interracial dalliance; Harold Pinter’s The Room, a bizarre “comedy of menace”; and John Arden’s Serjeant Musgrave’s Dance, which aimed a Gatling gun at its audience. Devine encouraged them, however bold or experimental. “You always knew he was on the writer’s side,” Osborne said.

Peter O’Toole called the Royal Court actors “an »

- Christopher Saunders

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The Walking Dead, Nightbreed: The Director’s Cut & Hannibal Nominated in 41st Annual Saturn Awards

4 March 2015 11:00 AM, PST | DailyDead | See recent DailyDead news »

They've done what they've had to do to survive on AMC's The Walking Dead, brining hope and despair to palpable life on the small screen with gritty realism every week. Covered in grime, splattered in blood, and trudging down the sun-baked backroads and brush-bordered trails this season, the stellar cast and crew of The Walking Dead have paid their dues and then some, and now they're getting a tip of the cap in return with seven nominations for the 41st Annual Saturn Awards.

Andrew Lincoln, Norman Reedus, Emily Kinney, Melissa McBride, Chandler Riggs, and Andrew J. West have all earned nominations, with the TV series itself receiving one as well. Also recognized in this year's nominations is Scream Factory's Nightbreed: The Director's Cut Blu-ray, NBC's Hannibal TV series, Only Lovers Left Alive, and many more.

Press Release - "The Academy of Science Fiction, Fantasy and Horror Films announces the »

- Derek Anderson

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The Noteworthy: 4 March 2015

4 March 2015 4:56 AM, PST | MUBI | See recent MUBI news »

The 19th Human Rights Watch Film Festival is returning to the Ritzy Cinema in Brixton from the 18th to the 27th of March. You can find the whole program here, along with a statement from the Festival Director John Biaggi. For Film Comment, Jordan Osterer interviews Buzzard director Joel Potrykus:

"Film Comment: There’s a divide in the film between idle, detached moments and pretty graphic content. How do you negotiate the gap between these very quiet moments and the more extreme situations?

Potrykus: My whole theory of making films is that I want to lull audiences to sleep—I almost want to bore them—and then right before they fall asleep, kick them in the balls."

David Robert Mitchell's It Follows is Sight & Sound's film of the week; Kim Newman reviews. Not one, not two, but three successful Kickstarter campaigns to take note of: 

1. Living Los Sures »

- Notebook

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‘Captain America: The Winter Soldier’ and ‘Interstellar’ Lead Saturn Awards Noms

3 March 2015 5:51 PM, PST | Variety - TV News | See recent Variety - TV News news »

Anthony and Joe Russo’s “Captain America: The Winter Soldier” and Christopher Nolan’s “Interstellar” lead this year’s 41st Annual Saturn Awards nominations with 11 and 10, respectively, the Academy of Science Fiction, Fantasy and Horror Films announced on Tuesday.

Marvel’s summer box office smash “Guardians of the Galaxy” followed close behind with nine nominations. “Dawn of the Planet of the Apes” followed with eight, and “Edge of Tomorrow” and “The Hobbit: The Battle of the Five Armies” grabbed seven apiece.

Two of last year’s big television winners, “The Walking Dead” and “Hannibal,” lead the 2015 smallscreen noms with seven and six, respectively. “Continuum,” which airs on the Syfy channel and averages less than 1 million viewers, is the next most nominated show with four.

This year’s Saturn noms exemplify the eclectic groupings that have come to distinguish the awards. The fantasy film category, for example, includes “Birdman,” “The Grand »

- Seth Kelley

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‘Captain America: The Winter Soldier’ and ‘Interstellar’ Lead Saturn Awards Noms

3 March 2015 5:51 PM, PST | Variety - Film News | See recent Variety - Film News news »

Anthony and Joe Russo’s “Captain America: The Winter Soldier” and Christopher Nolan’s “Interstellar” lead this year’s 41st Annual Saturn Awards nominations with 11 and 10, respectively, the Academy of Science Fiction, Fantasy and Horror Films announced on Tuesday.

Marvel’s summer box office smash “Guardians of the Galaxy” followed close behind with nine nominations. “Dawn of the Planet of the Apes” followed with eight, and “Edge of Tomorrow” and “The Hobbit: The Battle of the Five Armies” grabbed seven apiece.

Two of last year’s big television winners, “The Walking Dead” and “Hannibal,” lead the 2015 smallscreen noms with seven and six, respectively. “Continuum,” which airs on the Syfy channel and averages less than 1 million viewers, is the next most nominated show with four.

This year’s Saturn noms exemplify the eclectic groupings that have come to distinguish the awards. The fantasy film category, for example, includes “Birdman,” “The Grand »

- Seth Kelley

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Directors' Trademarks: Stanley Kubrick

26 February 2015 5:21 PM, PST | Cinelinx | See recent Cinelinx news »

At least once a month, Cinelinx will chose one director for an in-depth examination of the “signatures” that they leave behind in their work. This week we’re examining the trademark style and calling signs of Stanley Kubrick as director.

Kubrick’s interest in visual arts began with photography before he became interested in filmmaking. He enjoyed making short films and became very proficient at doing so. Eventually he made his first feature film The Killing Fields (1953) as an exercise in low-budget filmmaking. That film was not a commercial success, and he had to work hard to get funding to keep working as a filmmaker. His next film, Killer’s Kiss (1955) involved a lot of experimentation, so much that it ended up eating into the budget and costing Kubrick a profit. As a result, he decided to work with a professional crew on his next film, The Killing (1956), which also did not become commercially successful, »

- feeds@cinelinx.com (G.S. Perno)

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Examining the Christopher Nolan backlash

23 February 2015 10:33 PM, PST | Den of Geek | See recent Den of Geek news »

Another Oscars season, and Christopher Nolan is overlooked again. With Interstellar getting a mixed reaction, we look at the Nolan backlash.

This article contains a spoiler for the ending of Interstellar.

In case you missed it, the Oscars were this past weekend and Birdman was the big winner. The Academy’s choice to award Alejandro González Iñárritu's fever dream was a genuine shock, with Boyhood the running favourite for many months. Nonetheless, some things never change, and in that vein it's certainly a non-surprise the Academy also hardly noticed the most ambitious blockbuster of 2014: the Christopher Nolan space epic, Interstellar. Indeed, I use the phrase "non-surprise", because how could it be a winner when it was only nominated for the bare minimum of five Oscars in technical categories that are reserved as consolation prizes?

This is by all means par for the course with a film that has »

- simonbrew

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Movie Poster of the Week: “The Private Life of Henry VIII” and Charles Laughton in Posters

21 February 2015 6:00 AM, PST | MUBI | See recent MUBI news »

Above: Us three-sheet poster for The Private Life of Henry VIII (Alexander Korda, UK, 1933).

The great Charles Laughton may not have been the prettiest of movie stars, but he had a presence that many matinee idols would have killed for (as the current retrospective running at Film Forum will attest). In an era in which glamor was everything, studio marketers may have struggled with how to present Laughton’s unconventional looks and his larger-than-life portrayals of larger-than-life characters (so many monsters, murderers,  tyrants, or simply overbearing fathers) to the public. In most of the posters for his most famous film, The Hunchback of Notre Dame (1939), he is all but a silhouette, a spoiler alert to his monstrous transformation as Quasimodo. And in some posters for The Private Life of Henry VIII (1933), the film for which he won his first Oscar, Henry is made to look more like the Hans Holbein »

- Adrian Curry

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Watch: 66-Minute Compilation Of Saul Bass' Famous Movie Title Sequences From Preminger To Scorsese

19 February 2015 10:05 AM, PST | The Playlist | See recent The Playlist news »

Talk about a legacy. Acclaimed titles designer Saul Bass worked with some of Hollywood’s most legendary directors during his 40-plus year career, and on some of their best pictures. His first title credit was on Otto Preminger’s 1954 “Carmen Jones.” From there, Bass went on to collaborate on over 60 films, many of which have become much deserved cinema classics. In this hour-long compilation, YouTube user FlaneurSolitaire pieces together scores of Bass’ revered title sequences in chronological order, starting with “The Man with the Golden Arm” (also directed by Preminger), from 1955. (Bass’ credits from that year alone also include Robert Aldrich’s “The Big Knife,” “The Shrike” helmed by José Ferrer, Billy Wilder’s “The Seven Year Itch,” and “The Racers,” which starred Kirk Douglas and was directed by Henry Hathaway.) “The Racers” wasn’t the only Kirk Douglas film Bass did the titles for; he also designed them for »

- Zach Hollwedel

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‘The Killing’ Blu-ray Review (Arrow Academy)

12 February 2015 12:45 PM, PST | Blogomatic3000 | See recent Blogomatic3000 news »

Stars: Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen, Ted de Corsia, Marie Windsor, Elisha Cook Jr., Joe Sawyer, Timothy Carey, Kola Kwariani, Dorothy Adams | Written and Directed by Stanley Kubrick

It goes without saying that film fans know that Stanley Kubrick was a master of his art.  All masters though have a starting point where they were learning and in some respects were yet to evolve into the legends that they would become.  With the Arrow Academy release of The Killing on Blu-ray, which also includes Killer’s Kiss we get to see a director who had a vision, but was yet to perfect his style.

The Killing is a heist movie that when it was first released didn’t make that much of an impact, but not surprisingly when it comes to Kubrick’s work has grown to be respected and revered as a true classic of the genre. »

- Paul Metcalf

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The Conversation: Drew Morton and Landon Palmer Discuss ‘The Killing’

7 February 2015 9:21 AM, PST | SoundOnSight | See recent SoundOnSight news »

The Conversation is a new feature at Sound on Sight bringing together Drew Morton and Landon Palmer in a passionate debate about cinema new and old. For their second piece, they will discuss Stanley Kubrick’s film The Killing (1956).

Drew’s Take

Stanley Kubrick’s The Killing (1956) is not my favorite work by the visionary director. In fact, the film probably wouldn’t even make it onto a list of my top five Kubrick films. Yet, with a career that included such amazing films as Paths of Glory (1957),Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964),2001: A Space Odyssey (1968), Barry Lyndon (1975), and The Shining (1980), that’s not an indication that The Killing is a film of poor quality but an indication that Kubrick’s body of work comes the closest to cinematic perfection than any director I can think of. Thus, while The Killing »

- Landon Palmer

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Stanley Kubrick, Legendary Director

1 February 2015 5:31 PM, PST | Cinelinx | See recent Cinelinx news »

The works of Stanley Kubrick have changed film making forever. They have stood the test of time and only become more important and impactful as they age. For these reasons, we honor the legendary director and his most sucessful films.

In each genre of art there are certain individuals whose works transcend the eras of their creation to become something more than just art. These pioneers of culture push the boundaries of their respective crafts to deliver masterpieces that are truly timeless. Often times the true impact of their work is not properly recognized until many years after their work is released. Stanley Kubrick is one of these rare individuals. In the craft of making film, Kubrick was a visionary ahead of his time and on the leading edge of pop culture trends that helped define humanity in the 20th century. His abilities and talents as director, in particular, changed »

- feeds@cinelinx.com (G.S. Perno)

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Watch: Matt Damon & Ben Affleck Try to Take Blame for Deflategate

30 January 2015 11:10 AM, PST | Indiewire | See recent Indiewire news »

Who from the New England Patriots deflated the footballs during the Afc Championship Game against the Indianapolis Colts? It's been the question on everyone's minds for over two weeks now and blame has been pointed in every direction, from coach Bill Belichick to star quarterback Tom Brady. But if there's one thing you should know about Pats fans it's that they stick together through fire and hell, and that trait is hilariously on display in Jimmy Kimmel's dynamite video spoof, "I Am the Locker Room Guy." Taking a page right out of Stanley Kubrick's "Spartacus," the video below features some of Boston's biggest stars, including Matt Damon, Ben AffleckJohn Krasinski and Chris Evans, among many others, standing up for their team and taking blame for what is now formally known as Deflategate. So is Belichick or Brady really to blame here? Not if these Bostonians are to be believed. »

- Zack Sharf

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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2004 | 2002 | 2001 | 2000

14 items from 2015


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