A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
In 73 BCE, a Thracian slave leads a revolt at a gladiatorial school run by Lentulus Batiatus. The uprising soon spreads across the Italian Peninsula involving thousand of slaves. The plan is to acquire sufficient funds to acquire ships from Silesian pirates who could then transport them to other lands from Brandisium in the south. The Roman Senator Gracchus schemes to have Marcus Publius Glabrus, Commander of the garrison of Rome, lead an army against the slaves who are living on Vesuvius. When Glabrus is defeated his mentor, Senator and General Marcus Licinius Crassus is greatly embarrassed and leads his own army against the slaves. Spartacus and the thousands of freed slaves successfully make their way to Brandisium only to find that the Silesians have abandoned them. They then turn north and must face the might of Rome. Written by
Kirk Douglas describes this film as a love story: "Love predominates all through the movie: love between Spartacus and Varinia, love among the men; the whole revolt was based on a love of freedom, a love of humanity." See more »
While in the senate house Julius Caesar is wearing the traditional white robe trimmed with a purple border, however when he walks out onto the steps with Gracchus he is wearing a gray robe trimmed with white vine leaves. See more »
In the last century before the birth of the new faith called Christianity, which was destined to overthrow the pagan tyranny of Rome and bring about a new society, the Roman Republic stood at the very center of the civilized world. "Of all things fairest," sang the poet, "first among cities and home of the gods is golden Rome." Yet, even at the zenith of her pride and power, the Republic lay fatally stricken with a disease called human slavery. The age of the dictator was at hand, ...
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The opening titles appear in a montage of silhouetted Roman sculptures and tablets, which according to title designer Saul Bass is meant to evoke the strength and power of the Roman Empire. The montage ends with a zoom into the eye of a crumbling Roman bust, which hints at the Empire's coming decline and fall. See more »
I think the movie is quite good; what I want to add to the comments already made is just this:
The commentary (on the DVD) by screenplay writer Dalton Trumbo is great. Kirk Douglas said it was the greatest analysis of film-making ever. He explains the purpose of every scene, very openly and honestly critiquing the changes the actors made, for (in his estimation) better or worse.
There is another track of commentary by the actors. The actors had an unusual degree of latitude in re-writing their lines and forming their characters.
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