Jack Cardiff received a 1960 Oscar Nomination as Best Director for this lush, engaging film starring Trevor Howard, Dean Stockwell and Donald Pleasence, which was adapted from D.H. ... See full summary »

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Won 1 Oscar. Another 7 wins & 16 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Mrs. Morel
...
Heather Sears ...
Miriam
William Lucas ...
Conrad Phillips ...
...
Mr. Hadlock
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Pappleworth
Rosalie Crutchley ...
Sean Barrett ...
Elizabeth Begley ...
Mrs. Radford
Edna Morris ...
Ruth Kettlewell ...
Mrs. Bonner
Anne Sheppard ...
Rose
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Storyline

Jack Cardiff received a 1960 Oscar Nomination as Best Director for this lush, engaging film starring Trevor Howard, Dean Stockwell and Donald Pleasence, which was adapted from D.H. Lawrence's classic novel. A young man with artistic talent who lives in a close-knit, English coal-mining town during the early 20th Century finds himself inhibited by his emotionally manipulative, domineering mother. Written by Anonymous

Plot Summary | Add Synopsis

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The first experiences of a young man in the mysteries of woman! See more »

Genres:

Drama

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Details

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Release Date:

22 July 1960 (West Germany)  »

Also Known As:

Hijos y amantes  »

Box Office

Budget:

$500,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Wendy Hiller was always Jack Cardiff's first choice to play the mother. He had been told that this was impossible as she was performing in a play on Broadway. Luckily for Cardiff, the play folded very quickly and Hiller was delighted to take the part. See more »

Connections

Referenced in Kate & Allie: Sons and Lovers (1985) See more »

Soundtracks

The Night My Old Lady Left Town
(uncredited)
Written by Hal Shaper
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Frequently Asked Questions

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User Reviews

 
Ravishing Visually And Often Intense and poignant
16 February 2006 | by (NY, NY) – See all my reviews

Freddie Francis's cinematography is in some ways the star. It is not showy or intrusive. It's totally organic to the unfolding of the plot. Yet it is exquisite -- both with landscapes and with actors. This is especially true with Trevor Howard, very powerful as a boozy miner.

The other star is that great actress Wendy Hiller. Her role is far from entirely sympathetic. She suffocates her favorite son, well played by Dean Stockwell. She is demanding in a quiet way and selfish in a manner passing itself off as martyrdom. But what a gorgeous performance! Mary Ure was a fine actress. Somehow, though, the character she plays doesn't entirely work in my view. It seems more from kitchen-sink realism, like the Shelagh Delaney plays that were filmed around this time. (And where have they gone? Why don't we ever see "A Taste of Honey" or "The Leather Boys" anymore?) Heather Sears is good but I have to admit, to my embarrassment, I found it hard to shake her excellent performance in the tile role of "The Story of Esther Costello" from my mind. Her being a bright young woman taken with Stockwell, therefore, startled me throughout. That is my own failing and surely not hers.

This is a superb movie. All of it is good. But for me, the scenes involving Hiller are the most compelling. Howard, too, is superb. And Stockwell as Paul. The family story is heart-wrenching.


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