| Donald Sinden | ... | Mannering | |
| Nicole Berger | ... | Sara | |
| Kieron Moore | ... | Toska | |
| Peter Wyngarde | ... | Peter | |
| Godfrey Quigley | ... | Blakey | |
| Tutte Lemkow | ... | Dmitrieff | |
| Bart Bastable | ... | Sgt. Tucker | |
| George Pastell | ... | Brodsky | |
| Angela Newman | ... | Nina | |
| T.P. McKenna | ... | Lapidos | |
| Maurice Good | ... | Gardstein | |
| James Caffrey | ... | Hefeld | |
| Harold Goldblatt | ... | Hersh | |
| Christopher Casson | ... | Police Commissioner | |
| Harry Brogan | ... | Old Harry | |
| Alan Simpson | ... | Uniformed Police Inspector | |
| Robert Lepler | ... | Jeweller | |
| Margaret D'Arcy | ... | Nurse | |
| Joe Lynch | ... | Sgt. Todd | |
| Stanley Illsley | ... | Doctor in Peter's Room | |
| Anne Sharp | ... | Woman on Estate | |
| Paul Farrell | ... | Barman in Pub | |
| Bill Foley | ... | 1st Interrogation Detective | |
| Aiden Grennell | ... | 2nd Interrogation Detective | |
| rest of cast listed alphabetically: | |||
| Leonard Sachs | ... | Svaars (uncredited) | |
| Jimmy Sangster | ... | Winston Churchill (uncredited) | |
| Gerry Sullivan | ... | Army Officer (uncredited) | |
Directed by | |||
| Robert S. Baker | |||
| Monty Berman | |||
Writing credits(in alphabetical order) | ||
| Alexander Baron | ||
| Jimmy Sangster | screenplay | |
| Jimmy Sangster | story | |
Produced by | |||
| Robert S. Baker | .... | producer | |
| Monty Berman | .... | producer | |
Original Music by | |||
| Stanley Black | |||
Cinematography by | |||
| Robert S. Baker | |||
| Monty Berman | |||
Film Editing by | |||
| Peter Bezencenet | |||
Production Design by | |||
| William Kellner | |||
Set Decoration by | |||
| Freda Pearson | |||
Makeup Department | |||
| Jill Carpenter | .... | makeup artist | |
| Betty Sherriff | .... | hair stylist | |
Production Management | |||
| Ronald Liles | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Manley | .... | assistant director | |
Art Department | |||
| Noel Coade | .... | prop master | |
Sound Department | |||
| Jeanne Henderson | .... | dubbing editor | |
| Sydney Wiles | .... | sound mixer (as Sid Wiles) | |
Special Effects by | |||
| Cliff Richardson | .... | special effects | |
Camera and Electrical Department | |||
| Chic Waterson | .... | camera operator | |
Music Department | |||
| Stanley Black | .... | musical director | |
Other crew | |||
| Phyllis Crocker | .... | continuity | |
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| Ladybird Ladybird | Hollow Reed | Rabbit-Proof Fence | Door Out of the Dark | Gandhi |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section |
In London 1911 a stand off is sparked between Russian anarchists fund raising to help the fight to liberate Latvia and 100 police officers. A young woman trapped in the middle thinks back to the events that led up to the siege, mainly a failed robbery that results in the death of two of the anarchists.
The plot is a dramatised version of true events and it works quite well for the most part. The opening scene is excellent - violence from an innocent scene and the flashback to the events around the robbery are very tension and well handled. However once the investigation into this group begins it does get a bit too wordy and it feels like it's dragging a bit too much. However the final 20 minutes around the siege itself picks it up, although it isn't as good as the first 30/40 minutes.
The cast are quite good despite the fact that for the first half of the film the Russians are portrayed as thugs and nothing of the cause is explained. This is remedied in the second half in one or two scenes but by then the image of criminals is set. The `baddies' are all played by relatively unknown actors - I suspect no one established wanted to play an unsympathetic role at the time. By contrast a side role is played by British actor Donald Sinden (younger but instantly recognisable) and his part is beefed up for dramatic effect and to get his name up there.
Overall the film almost falls in on itself with the dip in the middle section. The opening 40 minutes are all very good and genuinely tense and exciting. However once the dip is past the final siege is competently delivered and entertaining. How much of this `dramatisation' is taken from a script and how much from fact I don't know, but I don't know too much more than I did before I saw it. Still an enjoyable drama-come-thriller anyway.