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Seven Thieves (1960)

Approved | | Crime, Drama | 11 March 1960 (West Germany)
A motley crew of professional thieves plans the robbery of a Monte Carlo casino vault.



(screenplay), (novel)

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Nominated for 1 Oscar. See more awards »



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Complete credited cast:
Paul Mason
Alexander Scourby ...
Raymond Le May
Louis Antonizzi
Hugo Baumer
Director of Casino
Marcel Hillaire ...
Duc di Salins
Chief of Detectives


In Monte Carlo, Theo Wilkins recruits his young protégé Paul Mason - just released from prison - to help him rob the famous casino of $4 million. The plan is straightforward. On the night of the Governor's Ball, Theo will create a distraction in the casino by having one of the team collapse requiring urgent medical attention. During that time Paul and another member of the crew will get the money from the vault. When the ambulance arrives, the money will leave with the sick man. The plan is a good one but not everyone will survive the robbery and no one will get rich from it. Written by garykmcd

Plot Summary | Add Synopsis


They Will Hold You Like a Pointed Gun! "Al Capone" and "Little Caesar" in the most fabulous robbery that ever rocked Monte Carlo!


Crime | Drama


Approved | See all certifications »





Release Date:

11 March 1960 (West Germany)  »

Also Known As:

Siete ladrones  »


Box Office


$1,650,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

(Westrex Recording System)|

Aspect Ratio:

2.35 : 1
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Did You Know?


The theme from the 1944 film Laura was used in one of the night club scenes. See more »


Hugo has white hair, but when seen repairing the car engine he has dark hair. See more »


Theo Wilkins: Now, an international axiom. A man who says "whiskey" is an Englishman. A man who says "double whiskey" is an Irishman. But a man who asks, "Have you any ice?" is an American.
See more »

Crazy Credits

The names of the cast appear on items on a gaming table. See more »


References Bob le Flambeur (1956) See more »


At Last
Music by Harry Warren
Played after Melanie leaves the table and Paul and Raymond have their first discussion
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User Reviews

Did Steiger Swallow a Lemon
7 November 2010 | by See all my reviews

A so-so caper movie that somehow fails to take off despite a veteran cast and director. There's lots of casino glitz, a sexy Joan Collins, and an inherently suspenseful premise, but the elements never really come together. I agree with the reviewer who thinks Steiger miscast. His is the central role. Yet he's so humorless, his enforcer-leader fails to generate needed sympathy for the caper (I gather director Hathaway was also unhappy with the grimness). In fact, with Robinson's exception, none of the characters is particularly likable. As a result, viewers are not encouraged to engage with the caper, but instead to simply observe it. At the same time, ace director Hathaway films in uncharacteristically impersonal, uncompelling fashion.

Nonetheless, the movie does have its moments. There's genuine tension when the Duc (Hillaire) tries to get Melanie (Collins) evicted from the casino, spoiling the heist. Instead, Melanie does some fast thinking and hangs in there. Then there's the very human last- minute-jitters that threaten to undo the elaborate scheme. But these moments of tension tend to remain isolated instead of tightening into a suspenseful whole, a failing perhaps of the screenplay.

I think there's a reason these heist films were popular during the law-and-order 1950's. The best ones-- The Asphalt Jungle (1950), The Killing (1956)— humanize crime in ways crime features to that point don't. Unlike most crime dramas of the period, ordinary people are seen as able to pool their talents into a cleverly profitable undertaking, at the same time, being daring enough to take big risks for big gains.

Such qualities mirror the kind of commercial initiative ordinarily lauded by popular culture. Of course, heists are also criminal enterprises, but except for the key factor of legality, they show off the combined skills of ordinary people acting in effective and sympathetic light. And just as importantly, as long as it's only a bank or racetrack or casino that gets victimized, well, they can likely afford it. Without that key consideration of who's harmed, the ending of this film would be more morally questionable than it is.

Anyhow, the movie's passable entertainment, and if it fails to scale the caper film heights, at least there are compensations.

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