| Yûsuke Kawazu | ... | Kiyoshi | |
| Miyuki Kuwano | ... | Makoto | |
| Yoshiko Kuga | ... | Yuki, Makoto's elder | |
| Fumio Watanabe | ... | Akimoto, the doctor | |
| Shinji Tanaka | ... | Yoshimi Ito, student | |
| Yosuke Hayashi | |||
| Shinjiro Matsuzaki | ... | Terada | |
| Toshiko Kobayashi | ... | Teruko | |
| Jun Hamamura | ... | Masahiro, Makoto's | |
| Shinko Ujiie | ... | Masae Sakaguchi | |
| Aki Morishima | ... | Yoko Ishikawa | |
| Yuki Tominaga | ... | Toshiko Nishioka | |
| Kei Satô | ... | Akira Matsuko | |
| Asao Sano | ... | Inspector | |
| Hiroshi Nihon'yanagi | ... | Keizo Horio |
Directed by | |||
| Nagisa Ôshima | |||
Writing credits(in alphabetical order) | ||
| Nagisa Ôshima | ||
Produced by | |||
| Tomio Ikeda | .... | producer | |
Original Music by | |||
| Riichiro Manabe | |||
Cinematography by | |||
| Takashi Kawamata | |||
Film Editing by | |||
| Keiichi Uraoka | |||
Production Design by | |||
| Kôji Uno | |||
Second Unit Director or Assistant Director | |||
| Toshirô Ishidô | .... | assistant director | |
Sound Department | |||
| Shujuro Kurita | .... | sound recording engineer | |
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| Notes on a Scandal | The Reader | Made in Dagenham | Bend It Like Beckham | I Am Cuba |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section |
See Cruel Story of Youth. It is an amazing film. Oshima Nagisa is probably best known for his avant garde work- films like "In the Realm of the Senses" and "Diary of a Shinjuku Thief"- but his earlier work is more compelling, if less sensational. This film tells the story of Makoto and Kiyoshi, two youths who suffer from the social malaise typical of their generation. They express their frustration in violent and poetic ways, which makes up the substance of the film's narrative. But putting all that aside, it's beautifully filmed and by it's end, completely heartwrenching. The color contrast is almost unprecedented- bright reds and blues set against pitch blacks. At times it has the sensibility of a yakuza film- violence abounds and Oshima makes use of sharp pans typical of that genre, giving it a very cool, retro feel. At it's core it's a love story, but of a sort that modern audiences will probably never see in a contemporary film. It shows love as the cruelest thing imaginable, making it difficult to watch at times, but in the end, impossible to forget.