Lawyer Ralph Anderson arrives in Tula, an amazingly remote town in the desert, as reluctant emissary of mob chief Victor Massonetti, who wants the airstrip clear for his unofficial exit ... See full summary »
A poor farmer is obsessed with finding gold on his land supposedly buried by his grandfather. To find it he conveniently moves a marker out of his way that designates the land on which it ... See full summary »
A Chinese general goes berserk and has a system of tunnels dug all the way from China to USA, under the Pacific Ocean! Wherever there is an important military base, he places atomic bombs. ... See full summary »
Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river--crossable only by means of a ferry barge. The barge ... See full summary »
Lee Van Cleef,
The count has stolen enough gold to cause a financial crisis in the world markets so I.C.E. sends in ace spy Matt Helm to stop him. As Matt works alone, the British send in Freya to aid ... See full summary »
A successful business man occasionally develops an unusual physical disturbance: his nose whistles, whenever he breathes. Because of this peculiar circumstance, he enters a private, ... See full summary »
The Warrior Empress or Sappho-Venus of Lesbos (Saffo, venere di Lesbo) provides another pretty good performance by Tina Louise
This is the second of the Italian epics Tina Louise made for director Pietro Francisci for the year 1960. While IMDb lists the above American title, the actual translated Italian one actually says "Sappho-Venus of Lesbos". And, no, there's no girl-on-girl action here though one of Sappho's friends, Actis (Susy Golgi Andersen), seems to have somewhat of a crush on her. But Tina's character is actually smitten with a wounded man named Phaon (Kerwin Mathews) who stumbles into their women-only island. But she's promised to another man named Hyperbius (Riccardo Garrone). I'll stop there and just say that I wasn't as involved in the story as the previous Louise-Francisci collaboration, L'assedio di Siracusa (Siege of Syracuse), but I still liked many of the action scenes, the romantic sequences, and the once again beautiful score by Angelo Francesco Lavagino. And, hey, there's plenty of other fine-looking women other than Ms. Louise who wear clothing that accentuate their cleavage and legs to the utmost effect! So on that note, The Warrior Empress/Sappho-Venus of Lesbos is worth a look.
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