4 items from 2015
Wes Anderson’s meticulous attention to design and detail in all his films, in which each frame looks like a carefully fine-tuned diorama full of colors and careful staging, has made for a plethora of charming fantasy worlds, but very few in our real world. Now however, Anderson has created a project in which he has designed a cafe/bar for a new art gallery opening this month in Milan.
Bar Luce, designed by Anderson, is located inside the Fondazione Prada in Milan, a new art gallery space commissioned by the fashion designer Prada. According to Conde Nast Traveler, who visited the cafe this week, the space is complete with “retro formica chairs in bright pastel colors, jukeboxes”, and perhaps best of all, “Steve Zissou-themed pinball machines.”
According to the Fondazione Prada’s website, Anderson retained some of the original building’s architecture, including an arched ceiling once part of »
- Brian Welk
Costa-Gavras has been named guest of honour at this year’s Cannes Classics section of the Cannes Film Festival (May 13-24).
The Greek-French film director and producer won the Palme d’or with Missing in 1982, was member of the jury in 1976 that crowned Taxi Driver and picked up the award for best director with Section spéciale in 1975.
The filmmaker will be present for a screening of Z, which won the jury prize in 1969, and has had the original negative scanned in 4k and restored frame by frame in 2K, supervised by Costa-Gavras.
Marking 100 years since the birth of Orson Welles, Cannes will screen restorations of films from the legendary Us actor, director, writer and producer, who died in 1985.
The titles include his staggering debut Citizen Kane (1941), which has received a 4k restoration completed »
- firstname.lastname@example.org (Michael Rosser)
The Cannes Classics 2015 lineup this year features Costa-Gavras, tributes to Ingrid Bergman and Orson Welles, plus Manoel de Oliveira's Visita ou Memórias e Confissões, Kent Jones's new documentary, Hitchcock/Truffaut, and restorations of Luchino Visconti's Rocco and His Brothers, Louis Malle's Elevator to the Gallows, Ousmane Sembène's Black Girl, Lino Brocka's Insiang, Fernando Solanas's Sur, Kenji Mizoguchi's The Story of the Last Chrysanthemum, Kinji Fukasaku's Battles without Honor and Humanity, Miklós Jancsó's The Round-Up, King Hu's A Touch of Zen, Marcel Pagnol's Marius and more. » - David Hudson »
Now I Lay Me Down to Kill: Munzi’s Enjoyably Reserved Mafia Film
Premiering last fall at the 2014 Venice Film Festival, where it picked up a handful of prizes, Francesco Munzi’s third film, Black Souls, is a deliberately paced examination of familiar mafia standards. Based on a novel by Giacchino Criaco, it’s bound to be compared (and perhaps exist within the shadow of) Matteo Garrone’s highly celebrated 2008 feature, Gomorrah. But Munzi’s film is equally convincing, lending an austere sense of realism to what otherwise plays like a classic theatrical tragedy of three brothers at odds, locked in opposition and contention with the heavy baggage of their lineage. Light on dialogue and heavy on brooding characters marinating in their own mistrust or disdain of one another, it’s a successfully engaging film, but despite an enjoyably dire finale, isn’t as memorable as some modern comparative material. »
- Nicholas Bell
4 items from 2015
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