IMDb RATING
8.2/10
21K
YOUR RATING
Having recently been uprooted to Milan, Rocco and his four brothers each look for a new way in life when a prostitute comes between Rocco and his brother Simone.Having recently been uprooted to Milan, Rocco and his four brothers each look for a new way in life when a prostitute comes between Rocco and his brother Simone.Having recently been uprooted to Milan, Rocco and his four brothers each look for a new way in life when a prostitute comes between Rocco and his brother Simone.
- Nominated for 2 BAFTA Awards
- 10 wins & 10 nominations total
Spyros Fokas
- Vincenzo Parondi
- (as Spiros Focas)
Storyline
Did you know
- TriviaFrancis Ford Coppola was such a big fan of this film that he hired its composer, Nino Rota, to score his 1972 masterwork, The Godfather (1972).
- Quotes
Nadia: What can I do?
Rocco Parondi: Have faith and have no fear. Great faith.
Nadia: Faith in what?
Rocco Parondi: I don't know - in everything.
Nadia: In you?
Rocco Parondi: Yes. In me too.
- Alternate versionsOriginally released at 180 minutes in Italy. Local censorship forced director Visconti to cut a few sequences (including scenes from Nadia's rape); the film was subsequently shortened even more for foreign distribution. Director of photography Giuseppe Rotunno has prepared a restored full version, which has been re-released in 1991.
- ConnectionsFeatured in Taxi Driver (1976)
Featured review
Renato Salvatori shines in Visconti's masterpiece
The Italian master Luchino Visconti's 1960 (melo)drama "Rocco e i Suoi Fratelli" is the best film I've seen in a long, long time, and it deserves to be up there among European cinema's finest achievements, along with Visconti's other masterpiece, "Il Gattopardo" (1963).
Aristocrat turned communist, Visconti draws a beautiful, but horrible picture of Milan in the 1960s, when the "immigration" from the South was at its peek, and the social problems in Northern Italy exploded. The differences between north and south in Italy are enormous, and were perhaps even greater back when Visconti and his scriptwriting crew decided to make a contemporary film about a family moving northwards. Visconti wanted to make a film about a mother and her five sons, like the five fingers on her hand, like the mother herself exclaimes at the end of the film. This is not an agitational film, though, just a superbly acted study of a society in disorder and a portrait of a family trying to make ends meet in a harsh world they do not know. Like another Italian director, Pier Paolo Pasolini, noted, the South of Italy stayed an undeveloped land even after the North became industrialized, and that didn't happen before after WWII. This is the grim truth, and the person who thought this film was depressing should just stay on his or her pills and turn his or her eyes towards the real world, because the world IS a depressing place. You just cannot blame directors with a social conscience for trying to tell a story which lies close to their hearts, then you should stay away from film criticism and criticize the world instead. I am so tired of that.
Renato Salvatori makes a performance of a lifetime as the troubled brother Simone, while Alain Delon stays calm and controlled as Rocco, the protagonist, if there is one. Boxing is used as a metaphor for the anger the young men feel, but when Simone fails, Rocco succeeds by fueling his fighting with the contempt for his brother's actions. The two brothers are torn between the beautiful prostitute Nadia, whom they both love passionately, but she only loves Rocco- and that almost breaks the family. The other brothers are more supporting characters, and even though the film is long it should have been even longer- the second youngest brother, Ciro, is an interesting and morally strong character that I would have loved to see developed further. The pride, ignorance, hatred, loyalty and love of these people are held together by a perfect script by Visconti and his four collaborators, and cinema's finest cinematographer, Guiseppe Rotunno, moves his camera magnificently through the streets, houses, and locales of a growing, but morally decaying Milan.
This is cinematic perfection.
Aristocrat turned communist, Visconti draws a beautiful, but horrible picture of Milan in the 1960s, when the "immigration" from the South was at its peek, and the social problems in Northern Italy exploded. The differences between north and south in Italy are enormous, and were perhaps even greater back when Visconti and his scriptwriting crew decided to make a contemporary film about a family moving northwards. Visconti wanted to make a film about a mother and her five sons, like the five fingers on her hand, like the mother herself exclaimes at the end of the film. This is not an agitational film, though, just a superbly acted study of a society in disorder and a portrait of a family trying to make ends meet in a harsh world they do not know. Like another Italian director, Pier Paolo Pasolini, noted, the South of Italy stayed an undeveloped land even after the North became industrialized, and that didn't happen before after WWII. This is the grim truth, and the person who thought this film was depressing should just stay on his or her pills and turn his or her eyes towards the real world, because the world IS a depressing place. You just cannot blame directors with a social conscience for trying to tell a story which lies close to their hearts, then you should stay away from film criticism and criticize the world instead. I am so tired of that.
Renato Salvatori makes a performance of a lifetime as the troubled brother Simone, while Alain Delon stays calm and controlled as Rocco, the protagonist, if there is one. Boxing is used as a metaphor for the anger the young men feel, but when Simone fails, Rocco succeeds by fueling his fighting with the contempt for his brother's actions. The two brothers are torn between the beautiful prostitute Nadia, whom they both love passionately, but she only loves Rocco- and that almost breaks the family. The other brothers are more supporting characters, and even though the film is long it should have been even longer- the second youngest brother, Ciro, is an interesting and morally strong character that I would have loved to see developed further. The pride, ignorance, hatred, loyalty and love of these people are held together by a perfect script by Visconti and his four collaborators, and cinema's finest cinematographer, Guiseppe Rotunno, moves his camera magnificently through the streets, houses, and locales of a growing, but morally decaying Milan.
This is cinematic perfection.
helpful•509
- braugen
- Apr 2, 2003
- How long is Rocco and His Brothers?Powered by Alexa
Details
Box office
- Gross worldwide
- $11,328
- Runtime2 hours 59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Rocco and His Brothers (1960) officially released in India in English?
Answer