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Tender romantic comedy about an aspiring musician who arrives in New York in search of fame & fortune. He soon meets a taxi dancer, moves in with her, and before too long a romance develops. Written by
I am surprised at the reviews thus far posted, as they miss one of the major novelties of this movie. While Tony Curtis is never going to win any awards for his musicianship, the little "group" that he tries to join contains some pretty impressive "ringers", especially for a movie that isn't all that much about the musical side of things.
Any group that contains the likes of Gerry Mulligan AND Sam Butera is going to raise more than a few musical eyebrows. As mentioned above, the music used in the film is nothing to get too worked up about, but these two icons (plus the other sidemen that surround them) are reason enough to consider this one "special".
A musical note or two about Curtis is in order here as well. He also played a tenor saxophone player in the iconic Some Like It Hot. While his autobiography is silent as to his actual saxophone playing skills, some of the fingerings that he used in that film were right for the music being played (although out of sync with the actual film sound track). It is mentioned that he has some flute playing skills in the biography, so his being a sax player is not out of the realm of possibility.
The horns that he is seen playing in this movie all appear to be Selmer instruments. When his horns get "lifted" by the boys in the band, Debbie Reynolds goes to bat for him and buys him a set of horns "to get by" on his cruise ship gig. However, the instruments purchased are Leblanc horns, recognizable by the distinctive tweed covered cases in which they came. But, when he is seen performing on the ship, he is again playing Selmer instruments. Since this was well before product placement in movies became common, it may be that he was playing his own horns and the Leblanc cases were used for their visual appeal.
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