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Girl with a Suitcase (1961)
"La ragazza con la valigia" (original title)

7.5
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Ratings: 7.5/10 from 869 users  
Reviews: 9 user | 9 critic

Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »

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(story), (story), 3 more credits »
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Title: Girl with a Suitcase (1961)

Girl with a Suitcase (1961) on IMDb 7.5/10

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1 win & 1 nomination. See more awards »
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Cast

Complete credited cast:
...
Aida Zepponi
...
Lorenzo Fainardi
Luciana Angiolillo ...
Aunt of Lorenzo
Renato Baldini ...
Francia
Riccardo Garrone ...
Romolo
Elsa Albani ...
Lucia
Corrado Pani ...
Marcello Fainardi
...
Piero Benotti
Romolo Valli ...
Don Pietro Introna
Enzo Garinei ...
Pino
Ciccio Barbi ...
Crosia
Nadia Bianchi ...
Nuccia
Angela Portaluri
Edda Soligo ...
Teacher
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Storyline

Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for her, he comes of age. But, is there anything he can do that will alter Aida's situation or her prospects? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

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Details

Country:

|

Language:

Release Date:

11 September 1961 (USA)  »

Also Known As:

Girl with a Suitcase  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Italian censorship visa # 33890 delivered on 18-1-1961. See more »

Soundtracks

Tintarella di luna
Written by Bruno de Filippi
Sung by Mina
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User Reviews

Nearly two hours of non-stop prime Cardinale in fantastically gorgeous black and white
4 February 2001 | by (Los Angeles, CA) – See all my reviews

This somewhat mediocre and meandering melodramatic film by Zurlini features Claudia Cardinale at her most exquisitely beautiful in every shot and what shots! Beautiful long takes that allow you to concentrate on whatever you want. Tino Santoni is a hell of cinematographer, whoever he was, a total master. If the script had been a little bit better the film might've ended up transcending into a superpoetic realm like Zurlini's awesome technicolor 1962 film "Family Diary"; as it is, it's very much a failure in an overall sense but still pretty good as probably the ultimate ode to one of the most beautiful actresses in cinematic history.


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