Psycho (1960)

User Rating:

8.7/10   

Director:

Alfred Hitchcock

Writers:

Joseph Stefano (screenplay)
Robert Bloch (novel)

Release Date:

25 August 1960 (Brazil)

Genre:

Horror | Thriller

Tagline:

A new- and altogether different- screen excitement!!!

Plot:

A young woman steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother.

Plot Keywords:

Motel | Alimony | Shower | California | Phoenix Arizona

Awards:

Nominated for 4 Oscars. Another 5 wins & 3 nominations

Cast

Anthony Perkins	...	Norman Bates
Vera Miles	...	Lila Crane
John Gavin	...	Sam Loomis
Martin Balsam	...	Milton Arbogast
John McIntire	...	Deputy Sheriff Al Chambers
Simon Oakland	...	Dr. Fred Richmond
Vaughn Taylor	...	George Lowery
Frank Albertson	...	Tom Cassidy
Lurene Tuttle	...	Mrs. Chambers
Patricia Hitchcock	...	Caroline (as Pat Hitchcock)
John Anderson	...	California Charlie
Mort Mills	...	Highway Patrol Officer
Janet Leigh	...	Marion Crane
rest of cast listed alphabetically:
Fletcher Allen	...	Policeman on Steps (uncredited)
Prudence Beers	...	Extra (uncredited)
Muriel Bradley	...	Extra (uncredited)
Kit Carson	...	Extra (uncredited)
Francis De Sales	...	Deputy District Attorney Alan Deats (uncredited)
George Dockstader	...	Extra (uncredited)
George Eldredge	...	Police Chief James Mitchell (uncredited)
Harper Flaherty	...	Extra (uncredited)
Sam Flint	...	County Sheriff (uncredited)
Margaret Furrer	...	Extra (uncredited)
Virginia Gregg	...	Norma Bates (voice) (uncredited)
Alfred Hitchcock	...	Man Outside Real Estate Office (uncredited)
Paul Jasmin	...	Norma Bates (voice) (uncredited)
Myra Jones	...	Extra (uncredited)
Lee Kass	...	Extra (uncredited)
Frank Killmond	...	Bob Summerfield (uncredited)
Ted Knight	...	Policeman in Hallway Opening Door (uncredited)
Pat McCaffrie	...	Police Guard (uncredited)
Jeanette Nolan	...	Norma Bates (voice) (uncredited)
Lillian O'Malley	...	Extra (uncredited)
Fred Scheiwiller	...	Extra (uncredited)
Chief Tahachee	...	Citizen / Ned Place (uncredited)
Helen Wallace	...	Hardware Store Customer (uncredited)

Directed by
Alfred Hitchcock

Writing credits
Joseph Stefano		(screenplay)
Robert Bloch		(novel)

Produced by
Alfred Hitchcock	....	producer (uncredited)

Original Music by
Bernard Herrmann		(music by)

Cinematography by
John L. Russell		(director of photography)

Film Editing by
George Tomasini

Casting by
Jere Henshaw		(uncredited)

Art Direction by
Robert Clatworthy
Joseph Hurley

Set Decoration by
George Milo

Costume Design by
Rita Riggs		(uncredited)

Makeup Department
Jack Barron	....	makeup supervisor
Florence Bush	....	hair stylist
Robert Dawn	....	makeup supervisor
Larry Germain	....	hair stylist (uncredited)

Production Management
Lew Leary	....	unit manager

Second Unit Director or Assistant Director
Hilton A. Green	....	assistant director
Lester Wm. Berke	....	second assistant director (uncredited)

Art Department
Curtis Baessler	....	assistant props (uncredited)
Saul Bass	....	storyboard artist (uncredited)
Bob Bone	....	props (uncredited)
George Cook	....	assistant prop shop (uncredited)
Dave Lee	....	prop shop (uncredited)
Harold Wolf	....	leadman (uncredited)

Sound Department
William Russell	....	sound recordist
Waldon O. Watson	....	sound recordist
Robert R. Bertrand	....	mike technician (uncredited)
John Ruth	....	cable man (uncredited)
Harold Tucker	....	sound recordist (uncredited)

Special Effects by
Clarence Champagne	....	special effects
Walter Hammond	....	special effects (uncredited)

Camera and Electrical Department
Robert Aldridge	....	grip: Phoenix (uncredited)
Jack Austin	....	grip: Phoenix (uncredited)
Eugene Barragy	....	key grip: Phoenix (uncredited)
Walter Bluemel	....	assistant camera: Phoenix (uncredited)
Robert Burkett	....	camera operator: Phoenix (uncredited)
Norman Cassidy	....	best boy electric (uncredited)
William N. Clark	....	second assistant camera (uncredited)
Eugene Cook	....	still photographer (uncredited)
Bill Craemer	....	still photographer (uncredited)
Alan Davey	....	camera operator (uncredited)
Bobby Greene	....	first assistant camera (uncredited)
Frank Harper	....	key grip (uncredited)
George H. Merhoff	....	gaffer (uncredited)
Saul Selznick	....	second company grip (uncredited)
Jim Sloan	....	first assistant camera (uncredited)
Leonard J. South	....	camera operator (uncredited)
Richard Sutton	....	best boy grip (uncredited)
Tommy Wilson	....	electrician (uncredited)
Rex Wimpy	....	director of photography: Phoenix (uncredited)
Rex Wimpy	....	second camera operator (uncredited)

Costume and Wardrobe Department
Helen Colvig	....	costume supervisor
Theodore R. Parvin	....	wardrobe: men (uncredited)

Other crew
Saul Bass	....	pictorial consultant
Saul Bass	....	title designer
Virginia Boyle	....	stand-in (uncredited)
Everett W. Brown	....	technical advisor (uncredited)
John 'Bud' Cardos	....	bird handler (uncredited)
Frank da Vinci	....	stand-in (uncredited)
Myra Davis	....	body double: Janet Leigh (uncredited)
Anne Dore	....	double: Anthony Perkins (uncredited)
John Drake	....	stand-in: Anthony Perkins (uncredited)
Margo Epper	....	body double: Mother in shower sequence (uncredited)
June Gleason	....	stand-in: Vera Miles (uncredited)
Charles S. Gould	....	location director (uncredited)
Melvin Hilgenfeld	....	technical advisor (uncredited)
William T. Hurtz	....	director: animated titles (uncredited)
Myra Jones	....	stand-in: Janet Leigh (uncredited)
Richard Kindelon	....	stand-in (uncredited)
Harold Lockwood	....	stand-in: Martin Balsam (uncredited)
Paul Mathews	....	stand-in: John Gavin (uncredited)
Jim Merrick	....	unit publicist (uncredited)
Marli Renfro	....	shower scene double: Janet Leigh (uncredited)
Peggy Robertson	....	assistant: Mr. Hitchcock (uncredited)
Marshall Schlom	....	script supervisor (uncredited)
Herb Steinberg	....	publicity director: Paramount (uncredited)
Dolores Stockton	....	secretary: Mr. Hitchcock (uncredited)

Production Companies

• Shamley Productions

Distributors

• Paramount Pictures (1960) (USA) (theatrical)
• Les Films Paramount (1960) (France) (theatrical)
• Paramount Film Service (1960) (UK) (theatrical)
• Paramount (1960) (West Germany) (theatrical)
• Paramount Pictures (1965) (USA) (theatrical) (re-release)
• Universal Pictures (1968) (USA) (theatrical) (re-release)
• MCA Videocassette (1980) (USA) (VHS)
• MCA Home Video (1984) (USA) (VHS)
• MCA/Universal Home Video (1988) (USA) (video) (laserdisc)
• MCA/Universal Home Video (1992) (USA) (VHS)
• Pioneer Entertainment (1997) (USA) (video) (laserdisc)
• Universal Studios Home Video (1997) (USA) (VHS)
• Universal Home Entertainment (1998) (USA) (DVD)
• Action Gitanes (1999) (France) (theatrical) (re-release)
• Columbia TriStar Home Video (1999) (UK) (DVD)
• Universal Pictures Benelux (1999) (Netherlands) (VHS)
• Universal Pictures (1999) (Germany) (DVD)
• Universal Pictures (1999) (Germany) (VHS)
• Universal Studios Home Video (1999) (USA) (VHS)
• Universal Pictures (Spain) (2003) (Spain) (DVD)
• Universal Pictures Benelux (2003) (Netherlands) (DVD)
• Universal Pictures (2005) (UK) (DVD) (Special Edition)
• Universal Pictures Benelux (2007) (Netherlands) (DVD)
• Asociace Ceských Filmových Klubu (ACFK) (2009) (Czech Republic) (theatrical) (subtitled)
• Sony Pictures Home Entertainment (2008) (Greece) (DVD)

Other Companies

• Phoenix Film Office  special thanks (uncredited)

Also Known As:

Wimpy (USA) (fake working title)

Runtime:

109 min | Germany:108 min (cut)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Chile:14 (re-rating) | Chile:18 (original rating) | Germany:12 (re-rating) (2006) | Portugal:M/12 | West Germany:16 (original rating) | Netherlands:12 | Iceland:16 | Finland:K-16 (cut) (1965) | Finland:K-16 (cut) (1960) | Finland:K-16 (uncut) (1969) | South Korea:15 | Brazil:14 | Czech Republic:U | New Zealand:R16 | USA:TV-PG (TV rating) | Argentina:13 (re-rating) | Argentina:16 (original rating) | Australia:M | Canada:13+ (Quebec) | Canada:18 (Nova Scotia) | Canada:PG (Manitoba/Ontario) | France:-12 (re-release) | France:-16 | Israel:16 | Norway:15 | Norway:16 (1960) | Peru:14 | Spain:13 | Sweden:15 | Switzerland:16 (re-release) | UK:15 (video rating) (1986) | UK:X (original rating) | USA:Approved (certificate #19564) (original rating) | USA:M (re-rating) (1968) | USA:R (re-rating) (1984)

Filming Locations:

4270 Lankershim Boulevard, North Hollywood, Los Angeles, California, USA

Company:

Shamley Productions

Trivia:

In the opening scene, Marion Crane is wearing a white bra because Alfred Hitchcock wanted to show her as being "angelic". After she has taken the money, the following scene has her in a black bra because now she has done something wrong and evil. Similarly, before she steals the money, she has a white purse; after she's stolen the money, her purse is black.

Goofs:

Continuity: As Marion approaches the restroom at California Charlie's used car lot, the door hinges on the left with the doorknob on the right and has dark (painted?) glass in the upper half. In the interior shot, the hinges and knob are just the opposite and the door is a solid slab. In the exterior shot as Marion exits the restroom, the door is solid with no glass, and hinges on the right and latches on the left, consistent with the interior view.

Quotes:

[first lines]
Sam Loomis: You never did eat your lunch, did you?
Marion Crane: I better get back to the office. These extended lunch hours give my boss excess acid.
Sam Loomis: Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane: What do I do with my free afternoon? Walk you to the airport?

Movie Connections:

Spoofed in Wallace and Gromit in 'A Matter of Loaf and Death' (2008) (TV)

Two Words: Hitchcock's Best (...and you know that's no small feat!)

Yes, everything you've heard is true. The score is a part of pop culture. The domestic conflict is well-known. But nothing shocks like the experience itself.

If you have not seen this movie, do yourself a favor. Stop reading thse comments, get up, take a shower, then GO GET THIS MOVIE. Buy it, don't rent. You will not regret it.

"Psycho" is easily the best horror-thriller of all time. Nothing even comes close...maybe "Les Diaboliques" (1955) but not really.

"Psycho" has one of the best scripts you'll ever find in a movie. The movie's only shortcoming is that one of the characters seems to have little motivation in the first act of the movie but as the story progresses, you realize that Hitchcock (GENIUS! GENIUS! GENIUS!) in a stroke of genius has done this on purpose, because there is another character whose motivations are even more important. Vitally important. So important that you totally forget about anything else. I was lucky enough to have spent my life wisely avoiding any conversation regarding the plot of this movie until I was able to see it in full. Thank God I did! The movie has arguably the best mid-plot point and climactic twist in thriller history, and certainly the best-directed ending. The last few shots are chilling and leave a lingering horror in the viewer's mind.

Just as good as the writing is Hitchcock's direction, which is so outstanding that it defies explanation. Suffice it to say that this movie is probably the best directorial effort by film history's best director. I was fortunate enough to see this movie at a big oldtime movie house during a Hitchcock revival. Janet Leigh, still radiant, spoke before the film and explained how Hitchcock's genius was in his ability to 1) frighten without gore and 2) leave his indelible mark on the movie without overshadowing his actors (like the great Jean Renoir could never do). "Psycho" is clearly its own phenomenon, despite all the big-name talent involved.

Hitchcock does not disappoint by leaving out his trademark dark humor. His brilliance is in making a climax that is at once both scary and hilarious. When I saw it in the theatre the audience was both gasping in disbelief while falling-on-the-floor laughing.

One more thing...

Tony Perkins. Janet Leigh got much-deserved accolades for this film, but it is Perkins who gives what remains the single best performance by an actor in a horror movie. He is so understated that his brillance passes you by. He becomes the character. The sheer brillance of the role is evidenced by the ineptitude of the actors in Gus Van Sant's 1998 (dear God make it stop!) shot-for-shot "remake." Though the movies are nearly identical, Hitchcock's is superior mostly because of the acting and the atmosphere (some of the creepiness is lost with color). This is made obvious by the initial conversation between Leigh's character and Perkins, a pivotal scene. The brilliance of Perkins in the original shines even brighter when compared with the ruination in the remake even though the words and the shots were exactly the same. The crucial chemistry in this scene lacking in the remake gives everything away and mars our understanding of upcoming events. The fact that Perkins could never escape this role - his star stopped rising star as it had done in the 50s - proves that he played the part perhaps too well.

I keep using the word brilliant, but I cannot hide my enthusiasm for this movie. It is wholly unlike the overblown, overbudget, overlong fluff spewing all-too-often out of Hollywood today. "Psycho" is simple, well-crafted and just the right length.

Eleven-and-a-half out of ten stars.