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Psycho (1960)

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A Phoenix secretary embezzles $40,000 from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.

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Writers:

(screenplay), (novel)
Popularity
474 ( 38)
Top Rated Movies #35 | Nominated for 4 Oscars. Another 5 wins & 9 nominations. See more awards »
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Cast

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Caroline (as Pat Hitchcock)
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Storyline

Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

motel | money | shower | theft | secretary | See All (301) »

Taglines:

* No One ... BUT NO ONE ... Will Be Admitted To The Theatre After The Start Of Each Performance Of Alfred Hitchcock's Psycho See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

8 September 1960 (USA)  »

Also Known As:

Alfred Hitchcock's Psycho  »

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Box Office

Budget:

$806,947 (estimated)

Gross USA:

$32,000,000

Cumulative Worldwide Gross:

$50,000,000, 31 January 2004
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to biographers, Alfred Hitchcock himself had a troubled relationship with his own domineering mother who, like Mrs. Bates, forced him to stand at the foot of her bed and tell her everything that had happened to him, although the real relationship was not as disturbed as that seen in the movie. See more »

Goofs

When Lila finally meets Mrs. Bates, she recoils in horror, hitting the hanging ceiling light, sending it swinging back and forth. The bulb is clearly frosted which was invented to soften the shadows it cast. But in the rest of the scene, the shadows are stark, as from an unfrosted bulb. See more »

Quotes

Milton Arbogast: We're always quickest to doubt people who have a reputation for being honest.
See more »

Crazy Credits

Opening credits prologue: PHOENIX, ARIZONA

FRIDAY, DECEMBER THE ELEVENTH

TWO FORTY-THREE P.M. See more »

Connections

Referenced in Ti piace Hitchcock? (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Perkins Factor
27 July 2009 | by See all my reviews

No matter how many times one sits through this Hitchcock classic, Anthony Perkins always manages to surprise you. It is a sensational performance - for which he didn't even get an Oscar nomination - I have no way of knowing how much preparation he dedicated to the creation of Norman Bates, maybe no more than usual, but the details of his performance are astonishing. Never a false move and if you follow the film looking into his eyes, you'll be amazed as I was. The madness and the tenderness, the danger and the cravings. A mamma's boy with hellish implications and yet we see, we feel connected to the human being, we are not horrified by him but of his circumstances. In short, we kind of understand him. That alone puts him miles and miles away from other cinematic monsters. From Richard Attenborough as the real life Christie in "10 Rillington Place" to the hideous, unredeemable Christian Bale in "American Psycho". Here Hitchcock and Herrman create an universe that Anthony Perkins inhabits with the same kind of electricity, nerve and shyness that Norman Bates projects throughout the film. Janet Leigh falls for it if not him. She, like us, sees the boy trying to escape his dutiful son's trap. He is in my list of the 10 most riveting characters ever to be captured on film.


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