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A Phoenix secretary steals $40,000 from her employer's client, goes on the run and checks into a remote motel run by a young man under the domination of his mother.

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(screenplay), (novel)
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Cast

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Caroline (as Pat Hitchcock)
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Storyline

Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

motel | money | shower | theft | rain | See All (235) »

Taglines:

Electrifying shocker! (Australia Release) See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

8 September 1960 (USA)  »

Also Known As:

Alfred Hitchcock's Psycho  »

Box Office

Budget:

$806,947 (estimated)

Gross:

$32,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Although highly controversial in 1960, the film is now an iconic thriller. See more »

Goofs

When "Mother" exits her room and charges Arbogast, she slashes downward towards his chest. But the wound is on his face when he falls backward down the stairs. See more »

Quotes

Norman Bates: [voice-over] Now mother, I'm going to uh, bring something up...
Norma Bates: [voice-over] Haha... I am sorry, boy, but you do manage to look ludicrous when you give me orders.
Norman Bates: [voice-over] Please, mother.
Norma Bates: [voice-over] No! I will not hide in the fruit cellar! Ha! You think I'm fruity, huh? I'm staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!
Norman Bates: [voice-over] They'll come now, mother! He came after the girl, and now someone will come after him. Please mother, it's ...
[...]
See more »

Crazy Credits

Opening credits prologue: PHOENIX, ARIZONA

FRIDAY, DECEMBER THE ELEVENTH

TWO FORTY-THREE P.M. See more »

Connections

Referenced in Friends: The One with the Yeti (1998) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Perkins Is Remarkable
12 September 2000 | by (Los Angeles, CA) – See all my reviews

Most modern-day horror films make the killer to be an absolutely inhuman, grotesque, unimaginable monster in order to scare the audience out of its wits. Most of the time, however, these stereotypes create a generic murderer a raving, ranting, clearly demented psychopath. One of the few memorable cinematic killers that does not adhere to these restraints and cliches is, of course, Anthony Hopkins' Hannibal Lecter, whom manages to effectively cause the audience to recoil without such drek as the aforementioned devices.

Anthony Perkins' skillfully crafts his performance as Norman Bates, avoiding a ranting, raving, drooling, murder-happy, manic characterization; instead his performance as Norman is subtle, creepy, cool, and unsettling. He is brilliant; from his quiet conversations with Marion Crane amidst the stuffed birds, to his weasling wimpiness when confronted by Arbogast, his performance is so exact that it chills the viewer, all without the unnecessary disturbing images prevalent in more modern films (read The Cell, Henry: Portrait of A Serial Killer).

Perkin's fine performance, a tight script, and Bernstein's classic score make Psycho a film that is now and will always be remembered as one of the pinnacles of the horror genre.


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