Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. ... See full summary »
This documentary was five years in the making, and revolves around 62-year-old Okuzaki Kenzo, a survivor of the battlefields of New Guinea in World War II who gained notoriety by ... See full summary »
The impact of the decline of heavy industry on workers and their families in the Tiexi district of Shenyang, China, at the turn of the 21st century, documented unflinchingly by a fly-on-the-wall camera.
Completed two years after _Batalla de Chile: La insurrección de la burguesía, La (1975)_ and _Batalla de Chile: El golpe de estado, La (1977)_, this film deals with the creation of ... See full summary »
It's the tail end of winter in 1960. U.S. Senators Hubert Humphrey and John Kennedy seek the Democratic Party's nomination for President. Wisconsin's primary - one of the few direct primaries at the time - is on April 5. We see both candidates on the road; it's retail politics, shaking hands, signing autographs, smiling. We hear part of a standard stump speech from Kennedy; we watch Humphrey talk to farmers in a rural hall. Kennedy is favored. We see his wife, his brother Robert briefly, and on election night his sisters Pat and Eunice. Jacqueline speaks a few words of Polish at a Milwaukee rally. The returns come in; it's on to Indiana and West Virginia. Written by
I wasn't a huge fan of PRIMARY. Being a JFK and 1960s political buff, I highly anticipated the behind the scenes campaign film. Due to my lack of interest in Hubert Humphrey, unfortunately, I spent most of the viewing time hitting the fast forward button to the Kennedy segments.
Regardless, this film does show the overwhelming and taxing manner of campaigning and how it takes a person that does not appear to be mortal to carry out such a function.
The camera gets intimately close to JFK when he enters rally halls. There's a few shots that are groundbreaking in this sequence. It almost appears that the cameraman glued his lens to the back of Kennedy's collar. It creates an eye opening feeling of proximity.
Therefore, I guess if you eliminated Humphrey from the film or showcased the Presidential Election itself, you'd have a much more interesting piece of work.
Ted Ryan www.modesthouseproductions.com
0 of 0 people found this review helpful.
Was this review helpful to you?