Trying to shake his troubled past and start a new honest life, Floyd loses his job because of that past. With nowhere to go but back home in Oklahoma he gets news that his father's been ... See full summary »

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Cast

Cast overview, first billed only:
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Al Riccardo
Roy Fant ...
Jed Watkins
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Lil Courtney
Carl York ...
Curly Winwell
Jason Evers ...
Sheriff Blackie Faulkner (as Herb Evers)
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Ma Parks
Shirley Smith ...
Ann Courtney
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Gail Crouder
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Shorty Walters
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Machine Gun Manny
Leo Bloom ...
Ed Courtney
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Bill Courtney
Philip Kenneally ...
Baker
Charles Braswell ...
Special Investigator Neil Trane
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Storyline

Trying to shake his troubled past and start a new honest life, Floyd loses his job because of that past. With nowhere to go but back home in Oklahoma he gets news that his father's been murdered and the local sheriff lets the killer off with a self-defense plea. Bent on revenge, Floyd does what he must which leads him down a dark road littered with robbing banks and loose women. Floyd's final days are anything BUT pretty! Written by jimthemoviefreak@gmail.com

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gangster | independent film | See All (2) »

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Genres:

Biography | Crime | Drama

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Release Date:

January 1960 (USA)  »

Also Known As:

De erfgenaam van Al Capone  »

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Did You Know?

Trivia

Film debut of Al Lewis) See more »

Goofs

Although the movie is set during the 1930's, the movie score consists of 1950's era jazz and rock-a-billy music. See more »

Soundtracks

Black Emanuelle
Written by Del Serino & Bill Sanford
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User Reviews

 
Don't Look For Facts - Just Gunplay
30 December 2007 | by (USA) – See all my reviews

This film was typical of the B-Movie fare of the late 1950's and early 1960's, spurred by the 1959 TV release of "The Untouchables."

The 1960 film, "The Rise and Fall of Jack Legs Diamond", and the 1961 film "Portrait of a Mobster" were better examples of how these films should and could be made well. B-movies, yes; but there's B and then there's - B made well.

The actor who portrays Pretty Boy Floyd, John Ericsons, was slated for better things, and the studios did try. He was indeed a good journeyman actor but, for some reason, simply did not have the matinée idol gene in him.

There is nothing spectacular going on in this film, but it does move and its easy watching. Its only only standout highlight worth mentioning is a, all too brief but great performance by the late "Munsters" actor, Al Lewis: look for it.


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