Trying to shake his troubled past and start a new honest life, Floyd loses his job because of that past. With nowhere to go but back home in Oklahoma he gets news that his father's been ... See full summary »
Following the death of his family in an aeroplane crash, a man plots an elaborate revenge scheme on those responsible. By setting himself up as a criminal, he plans to get close to a ... See full summary »
Harry is a barely functional human. He meets an old friend who is having marital problems as Harry is about to leap off of a bridge. His friend decides that Harry is the man to take his ... See full summary »
In prohibition-era Chicago, the corrupt sheriff and Guy Gisborne, a south-side racketeer, knock off the boss Big Jim. Everyone falls in line behind Guy except Robbo, who controls the north ... See full summary »
Sammy Davis Jr.
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives... See full summary »
Trying to shake his troubled past and start a new honest life, Floyd loses his job because of that past. With nowhere to go but back home in Oklahoma he gets news that his father's been murdered and the local sheriff lets the killer off with a self-defense plea. Bent on revenge, Floyd does what he must which leads him down a dark road littered with robbing banks and loose women. Floyd's final days are anything BUT pretty! Written by
The film shows Pretty Boy Floyd having a career as a boxer. Even fighting under his nickname. This is completely false. Floyd was never a professional fighter, nor would he fight with the nickname he received from a robbery - a name that he despised. See more »
Written by Del Serino & Bill Sanford See more »
This film was typical of the B-Movie fare of the late 1950's and early 1960's, spurred by the 1959 TV release of "The Untouchables."
The 1960 film, "The Rise and Fall of Jack Legs Diamond", and the 1961 film "Portrait of a Mobster" were better examples of how these films should and could be made well. B-movies, yes; but there's B and then there's - B made well.
The actor who portrays Pretty Boy Floyd, John Ericsons, was slated for better things, and the studios did try. He was indeed a good journeyman actor but, for some reason, simply did not have the matinée idol gene in him.
There is nothing spectacular going on in this film, but it does move and its easy watching. Its only only standout highlight worth mentioning is a, all too brief but great performance by the late "Munsters" actor, Al Lewis: look for it.
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