French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
Charles (Jean Gabin), a sixtyish career criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis (Alain Delon)... See full summary »
Julien Dandieu, leader of the socialist political party PRU is asked to be part of the new conservative government as minister of foreign affairs. However his reputation is somewhat ... See full summary »
After his friend, a hot young artist, is killed, a resourceful American man living in London covers up the crime and tries to keep the friend's name alive in order to exploit his legacy and... See full summary »
Tom Ripley is sent to Europe by Mr. Greenleaf to fetch his spoiled, playboy son, Philippe, and bring him back home to the States. In return, Tom will receive $5,000. Philippe toys with Tom, pretending he will go back home, but has no intentions of leaving his bride to be, Marge, and honoring his father's wishes. After some time passes, Mr. Greenleaf considers the mission a failure and cuts Tom off. Tom, in desperation, kills Philippe, assumes his identity, and lives the life of a rich playboy. However, he will need all his conman abilities to keep Philippe's friends and the police off the trail. Written by
Humberto Amador/Peter Brandt Nielsen
Extremely well done, tightly edited, well acted (by everyone, including the small roles, especially the actor who has to appear dead with long camera shots in a tense scene in the hotel). Delon is perfectly cast, with his calculating cool.
The cinematography is gorgeous, especially the scenes on the yacht---nothing gimmicky, but shot with an expertise that gives true drama to the action. You can feel the waves, the wind, and the sun. The colors are vibrant on the DVD. Though a scene like this in a typical movie today would include a heavy ominous score, the director simply lets the sound of the wind create the tension. The score (by Nina Rota), in fact, is understated, unlike anything today. Even the opening credits have style.
58 of 68 people found this review helpful.
Was this review helpful to you?