French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
After serving together in the French Foreign Legion, a mercenary and a doctor leave the service and go their separate ways. Later, they are reunited by a coincidence. The doctor has made a ... See full summary »
After his friend, a hot young artist, is killed, a resourceful American man living in London covers up the crime and tries to keep the friend's name alive in order to exploit his legacy and... See full summary »
In 1930 Marseilles two small-time crooks join forces when they meet brawling over a woman. Starting with fixed horse races and fights, they start to find themselves doing jobs for the local... See full summary »
Tom Ripley is sent to Europe by Mr. Greenleaf to fetch his spoiled, playboy son, Philippe, and bring him back home to the States. In return, Tom will receive $5,000. Philippe toys with Tom, pretending he will go back home, but has no intentions of leaving his bride to be, Marge, and honoring his father's wishes. After some time passes, Mr. Greenleaf considers the mission a failure and cuts Tom off. Tom, in desperation, kills Philippe, assumes his identity, and lives the life of a rich playboy. However, he will need all his conman abilities to keep Philippe's friends and the police off the trail. Written by
Humberto Amador/Peter Brandt Nielsen
John Malkovich remarked in an interview with the BBC that he came close to directing The Talented Mr. Ripley (1999) and that he was in negotiations to obtain the rights to direct a remake of the first "Talented Mr Ripley" adaptation, "Plein Soleil." Malkovich later played Tom Ripley in Ripley's Game (2002). See more »
Alain Delon's belt goes over the middle belt loop on the back of his white Levis about eight minutes into the film. A couple of minutes later, the belt goes through the loop, though the action was continuous, with no possibility of him having removed his belt to correct this fashion fumble. See more »
I found this film more interesting than the recent Minghella opus because the people were more disturbing.
Alain Delon is too good-looking to be dismissed as the geeky wannabee Matt Damon plays. His insanity in a pretty package is as unsettling as Gene Tierney's in "Leave Her to Heaven." Delon looks like Maurice Ronet's brother, and you can see him wonder why if he's just as handsome as the other guy, why doesn't he have as much money? Ronet is more unpredictable than Jude Law as the whimsical rich boy and his death is every bit as shocking.
I can't imagine that Anthony Minghella hadn't seen this version before making his own. He probably regrets Scorsese's reconstruction of Rene Clement's film so we can all make the comparison. Some scenes play like a shot-for-shot remake. Billy Kearns's brutal Freddy Miles is an obvious template for Philip Seymour Hoffman's more calculated and less powerful performance, and Gwyneth Paltrow's final breakdown is VERY close to that of Marie Laforet's.
All through the 1999 film, I kept wondering why everybody couldn't see what was wrong with the toad-like Damon. In this one, Delon's plausible, even glamorous exterior made the success of his deceptions more understandable, and more frightening.
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