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Purple Noon (1960)
"Plein soleil" (original title)

7.8
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Ratings: 7.8/10 from 6,988 users  
Reviews: 53 user | 81 critic

Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.

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(novel), (adaptation), 1 more credit »
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Cast

Complete credited cast:
...
Maurice Ronet ...
Marie Laforêt ...
Erno Crisa ...
Riccordi
Frank Latimore ...
O'Brien
Billy Kearns ...
Freddy Miles (as Bill Kearns)
Ave Ninchi ...
Signora Gianna
Viviane Chantel ...
The Belgian lady
Nerio Bernardi ...
Agency Director
Barbel Fanger
Lily Romanelli ...
Housekeeper
Nicolas Petrov ...
Boris
Elvire Popesco ...
Mrs. Popova
Edit

Storyline

Tom Ripley is sent to Europe by Mr. Greenleaf to fetch his spoiled, playboy son, Philippe, and bring him back home to the States. In return, Tom will receive $5,000. Philippe toys with Tom, pretending he will go back home, but has no intentions of leaving his bride to be, Marge, and honoring his father's wishes. After some time passes, Mr. Greenleaf considers the mission a failure and cuts Tom off. Tom, in desperation, kills Philippe, assumes his identity, and lives the life of a rich playboy. However, he will need all his conman abilities to keep Philippe's friends and the police off the trail. Written by Humberto Amador/Peter Brandt Nielsen

Plot Summary | Plot Synopsis

Plot Keywords:

plan | forger | mimic | moocher | police | See more »

Taglines:

Passion at ten. Envy at eleven. Murder at noon.

Genres:

Crime | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for momentary violence and sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

10 March 1960 (France)  »

Also Known As:

Lust for Evil  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Italian censorship visa # 32268 delivered on 6-7-1960. See more »

Goofs

Alain Delon's belt goes over the middle belt loop on the back of his white Levis about eight minutes into the film. A couple of minutes later, the belt goes through the loop, though the action was continuous, with no possibility of him having removed his belt to correct this fashion fumble. See more »

Connections

Referenced in Totò d'Arabia (1966) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Better Cast than Damon, et. al.
9 February 2004 | by See all my reviews

I found this film more interesting than the recent Minghella opus because the people were more disturbing.

Alain Delon is too good-looking to be dismissed as the geeky wannabee Matt Damon plays. His insanity in a pretty package is as unsettling as Gene Tierney's in "Leave Her to Heaven." Delon looks like Maurice Ronet's brother, and you can see him wonder why if he's just as handsome as the other guy, why doesn't he have as much money? Ronet is more unpredictable than Jude Law as the whimsical rich boy and his death is every bit as shocking.

I can't imagine that Anthony Minghella hadn't seen this version before making his own. He probably regrets Scorsese's reconstruction of Rene Clement's film so we can all make the comparison. Some scenes play like a shot-for-shot remake. Billy Kearns's brutal Freddy Miles is an obvious template for Philip Seymour Hoffman's more calculated and less powerful performance, and Gwyneth Paltrow's final breakdown is VERY close to that of Marie Laforet's.

All through the 1999 film, I kept wondering why everybody couldn't see what was wrong with the toad-like Damon. In this one, Delon's plausible, even glamorous exterior made the success of his deceptions more understandable, and more frightening.


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