French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
Her youth has been spent working for a farm family, being raped by father and son, marrying the son who has now left her a happy widow. She is happy because World War I is over and she is ... See full summary »
Julien Dandieu, leader of the socialist political party PRU is asked to be part of the new conservative government as minister of foreign affairs. However his reputation is somewhat ... See full summary »
After his friend, a hot young artist, is killed, a resourceful American man living in London covers up the crime and tries to keep the friend's name alive in order to exploit his legacy and... See full summary »
Tom Ripley is sent to Europe by Mr. Greenleaf to fetch his spoiled, playboy son, Philippe, and bring him back home to the States. In return, Tom will receive $5,000. Philippe toys with Tom, pretending he will go back home, but has no intentions of leaving his bride to be, Marge, and honoring his father's wishes. After some time passes, Mr. Greenleaf considers the mission a failure and cuts Tom off. Tom, in desperation, kills Philippe, assumes his identity, and lives the life of a rich playboy. However, he will need all his conman abilities to keep Philippe's friends and the police off the trail. Written by
Humberto Amador/Peter Brandt Nielsen
Alain Delon and Maurice Ronnet play a fascinating duet of savage cruelty in this tense beautifully crafted Rene Clement thriller from Patricia Highsmith's pen. Anthony Minghella remade it as "The Talented Mr Ripley" with a more polished script and some startling character development but "Purple Noon" has an unbeatable extra gear in Alain Delon's portrayal. He is deadly because anyone would have fallen into his trap. His beauty is inviting and reassuring. We witness his brutal side but don't get to the point of judging him. That is more unique than rare in a movie. Delon's Ripley acts as if there was nothing objectionable about his behavior. A poster boy for amorality. Marie Laforet's Marge is stunningly beautiful but don't get to know her as well as we do Gyneth Paltrow in Minghella's version. If you liked The Talented Mr Ripley" you're going to love "Purple Noon" and vice-versa.
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