Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry...
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Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn. Written by
Daniel Bubbeo <firstname.lastname@example.org>
During an argument with her husband, Kate, played by Doris Day, facetiously claims that she had a "rendezvous with Rock Hudson." Day's previous film had been the very successful Pillow Talk (1959) which starred Hudson as her romantic interest. Day and Hudson would eventually become a famous, on-screen, romantic pairing and would appear in a total of three romantic comedies together. See more »
When Kate is playing the song for the children in the schoolyard, her strumming of the ukulele does not match match the music. See more »
There are interesting failures. There are prestige failures, and there are financial failures, but this is the sort of failure that gives failures a bad name.
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A drama critic, his wife, and four sons move from sophisticated New York digs to community-centered suburbia. Naturally adjustment problems ensue.
All in all, this A-film is a disappointment. Drama critics are just not the stuff of comedies, nor does Niven get help in lightening the mood. Then too, since both stars were at career peaks, the screenplay expands their screen time with a lot of draggy exposition that doesn't help the amusement factor. And since the plight of Broadway critics is not exactly grist for popular audiences, I expect Day was added to provide the needed appeal. Trouble is she doesn't get to do her usual sparkle. It's a subdued role a dozen lesser names could have handled, and even her meager musical numbers are not exactly show stoppers. Moreover, director Walters seems unsure what to do with the bratty boys, who could have been milked for some laughs instead of too many groans. Still, the near two-hours does have its moments, especially with a cowardly canine, and Janis Paige (Deborah) whose ambitious vixen hits just the right notes. Anyhow, the chemistry here never really gels and Day fans should stick with Rock who at least gets an honorable mention from the screenplay.
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