Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry... See full summary »
Amanda Lemmon is a street-wise orphan who's about to be adopted by a family who uses children for their own selfish gain. Her case worker, Diane, loves her and would like to adopt her, ... See full summary »
Judge Hardy takes his family to New York City, where Andy quickly falls in love with a socialite. He finds the high society life too expensive, and eventually decides that he liked it better back home.
Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teen-age daughter, get fixed up. They start dating and decide to get married. They're not prepared for the hostile ... See full summary »
Tom Winston, a widower, is trying to understand and raise three precocious children alone. He gets a little unexpected help from Cinzia, when the children decide she is be the new maid. She... See full summary »
A Major noted for advancing with his mouth before thinking is given a choice: to be drummed out of the Army, or take command of and shape up the ROTC program at Sheridan Academy before it ... See full summary »
Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn. Written by
Daniel Bubbeo <email@example.com>
After Doris Day and Janis Paige first had worked together in Romance on the High Seas (1948), Miss Paige had triumphed on Broadway as the feisty union official, Babe Williams, in the Tony Award-winning musical of 1954, "The Pajama Game." When Warner Bros., the former home lot of Janis and Doris, recast Babe Williams for the delightful 1957 film version, Babe then turned into - Doris Day! See more »
When Kate is playing the song for the children in the schoolyard, her strumming of the ukulele does not match match the music. See more »
[Quoting from Larry Mackay's drama review, in which Mackay has "pre-reviewed" his wife's upcoming play]
He says the Hooton Players are charming - particularly their leading lady - but they're wasting time on a twenty-year old play written by a man with no talent for writing plays - namely, himself.
[Now reading directly from Mackay's article]
"It was rejected by every Broadway producer in terms so outraged, that I determined never to write another one, thus saving myself years of futile effort ...
[...] See more »
Based on the popular book by Jean Kerr, PLEASE DON'T EAT THE DAISY is probably the best of Doris Day's 1960s comedies--and it finds her surprisingly paired with David Niven. While the two may seem an unlikely couple, they have extremely good on-screen chemistry, and the film neatly balances its story between the two stars so that neither overshadows the other.
Day plays Kate MacKay, mother of four hellions and the long suffering wife of esoteric drama critic Larry MacKay (Niven.) With her husband under siege by every actor, director, and producer in town, Kate decides to move the family to a home in the country--and in the process leaves her husband open to the temptations of Broadway star Deborah Vaughn (Janis Paige.) Before too long, Larry's swelling ego threatens their happy home.
The cast is expert, with both Day and Niven extremely enjoyable and Janis Paige memorable as the Broadway siren who attempts to lead Niven astray; the supporting roles are also expertly handled by a cast that includes Spring Byington. The script is witty with a dash of sophisticated sparkle, and unlike most of Day's later comedies manages to avoid the feel of frantic farce. A truly enjoyable outing; pure fun all the way.
Gary F. Taylor, aka GFT, Amazon Reviewer
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