Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry... See full summary »
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Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn. Written by
Daniel Bubbeo <email@example.com>
After Doris Day and Janis Paige first had worked together in Romance on the High Seas (1948), Miss Paige had triumphed on Broadway as the feisty union official, Babe Williams, in the Tony Award-winning musical of 1954, "The Pajama Game." When Warner Bros., the former home lot of Janis and Doris, recast Babe Williams for the delightful 1957 film version, Babe then turned into - Doris Day! See more »
When Kate is playing the song for the children in the schoolyard, her strumming of the ukulele does not match match the music. See more »
For a critic that first step is the first printed joke. It gets a laugh and a whole new world opens up. He makes another joke, and another. And then one day along comes a joke that shouldn't be made because the show he's reviewing is a good show. But, as it so happens, it's a good joke. And you know what? The joke wins.
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Based on the best-selling novel by Jean Kerr, "Please Don't Eat the Daisies" is the story of a New York City family, the Mackays - four boys, a wife Kate (Doris Day) and her husband Larry (David Niven). Suddenly, Larry finds success as a powerful theater critic, and Kate wants to move out to the country, which was always their dream. However, it's not really Larry's dream any longer. He's heady on New York success and wants to be near Theater Row. Conflict comes with his changing values.
This is a nice story co-starring Spring Byington as Kate's mother and Patsy Kelly as the family housekeeper. It doesn't compare with the sparkling Doris-Rock comedies. I happen to like David Niven in the role
he's what you would expect from a New York critic - above it all,
sophisticated, egotistical, well-educated but ultimately likable.
Day is very good as always and gets to sing, but the whole thing is a little too much. There aren't enough laughs to make it really funny. The brightest part of the movie for me was Janis Paige as Deborah Vaughn, an actress/singer decimated by Mackay in a review who then becomes attracted to him. She looks gorgeous, she's sexy, and she supplies the bite that the story needed more of. If the writers had built up that part of the story, the movie might have turned out better. The other part they could have built up is the awful play that Larry wrote that ends up being produced by the local community theater. Some scenes from that with Doris would have been great.
Day, as it turned out, was at her best when Ross Hunter made her over into a glamorous, sophisticated woman herself and teamed her up with Rock Hudson and gave her glossy productions and great clothes. This film was made was right at that transition. Day is a very vibrant presence but she can't elevate this material to more than what it was - a pleasant family comedy.
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