The young Mexican Pepe's beloved horse is sold to Hollywood star Ted Holt, leading to Pepe's journey to Hollywood to get the horse back, and Pepe's encounter with half the stars working in Hollywood at the time.
Lopez, treated derisively by all as Lopitos, is a humble but loyal citizen of Los Cocos Republic, working as an assistant at the chancellery, helping to process visas. Through a sudden ... See full summary »
Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.
It is the story of a sportsman who is a little bit dumber than most people but nevertheless he succeeds in getting a job at a sports article saler's. Having this job is the beginning of a ... See full summary »
Miguel M. Delgado
Joaquín García Vargas
Cantinflas is the apprentice of a renowned scientist, Prof. Arquimides Monteagudo (Carlos Martinez Baena). But Cantinflas has the soul of a poet rather than a serious researcher, and he ... See full summary »
Miguel M. Delgado
Carlos Martínez Baena
In Mexico, Pepe is the good-natured ranch foreman of Sr. Rodriguez. Pepe's pride and joy is Don Juan, a magnificent white stud stallion that he raised from a colt for Sr. Rodriguez and that he refers to as his "son". As Sr. Rodriguez has decided to sell Don Juan at auction, Pepe enacts a plan to dissuade any interested buyers so that he can buy Don Juan himself. The plan doesn't work, as Don Juan is sold to washed-up Hollywood movie director Ted Holt - his current Hollywood status due to alcohol over-consumption - who wants to use Don Juan for his comeback project to be shot in Mexico with an all-Mexican cast except for an American female lead. Pepe decides to head to Hollywood and earn lots of money so that he can buy Pepe and bring him back to Mexico. In Hollywood, Pepe gets into one misadventure after another with a cavalcade of Hollywood movie stars, those misadventures based largely on Pepe's limited grasp of the English language, he often taking what is said to him in their ... Written by
The film's length gave Columbia inordinate problems, especially as it was a major box-office flop. Its first screening was at a length of 195 minutes, but by the time of its European openings in the Spring of 1961, it had been shortened to 170 minutes, with many star cameos noticeably trimmed. Later showings, especially on television, have been trimmed further. See more »
Cantinflas meets every star in Hollywood, in an attempt to recapture the 80 Days magic. No such luck. Cantinflas was asked to carry Pepe and simply wasn't up to the task, though it's perfectly acceptable all-star entertainment. Cameos by Tony Curtis, Janet Leigh, Dean Martin, Ernie Kovacs, and particularly Kim Novak, help make it more than watchable. In a way it's better than 80 Days, since Kim wasn't in that one. I stayed around for the next show to see Kim's cameo again. In those days you could remain in the theatre on one paid admission for as long as you wished.
In San Francisco, PEPE played at advanced prices, on continuous showings, no reserved seats. On March 14, 1961 I spent nearly seven hours in the St. Francis Theatre on Market Street. PEPE runs 195 minutes. Us Kim Novak fans are durable, and loyal - she's still one of my favorite stars. Wow.
10 of 12 people found this review helpful.
Was this review helpful to you?