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Paris nous appartient (1960)
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Overview
User Rating:
Release Date:
21 June 1964 (UK) morePlot:
Anne Goupil is a literature student in Paris in 1957. Her elder brother, Pierre, takes her to a friend's party where the guests include Philip Kaufman... more | add synopsisPlot Keywords:
Awards:
1 win moreUser Comments:
Interesting, some minor flaws moreCast
(Cast overview, first billed only)| Betty Schneider | ... | Anne Goupil | |
| Giani Esposito | ... | Gerard Lenz | |
| Françoise Prévost | ... | Terry Yordan | |
| Daniel Crohem | ... | Philip Kaufman | |
| François Maistre | ... | Pierre Goupil | |
| Brigitte Juslin | |||
| Noëlle Leiris | |||
| Monique Le Porrier | |||
| Malka Ribowska | |||
| Louison Roblin | (as Louise Roblin) | ||
| Anne Zamire | |||
| Paul Bisciglia | ... | Paul | |
| Jean-Pierre Delage | |||
| Claus Von Lorbach | |||
| Jean Martin |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Canada:141 min | USA:120 min | Argentina:140 minCountry:
FranceLanguage:
FrenchColor:
Black and WhiteSound Mix:
MonoCertification:
Argentina:13 | UK:12A (re-rating) (2006) | UK:A (original rating) | Finland:K-16 | Sweden:11Fun Stuff
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This is an unusual film. It revolves around a group of characters that are slightly connected to each other through their artistic tendencies and/or political beliefs. The group is presented well - it is quite realistic, even though it is so colourful. This is perhaps because the criteria for being part of the group are so 'normal'. Friends, people with similar interests.. acquaintance networks - this is something that is presented very well in the film.
A sinister undercurent pervades the whole movie: a background plot that is never revealed, or shown directly - it is something that the characters speak to each other about and make reference to. While in other movies the conspiracy plot would have been the central theme, here it is pushed into the background, delegated to a simple object of discussion - the movie instead revolves around the lives of the characters and in particular, the protagonist's, from whose point of view the situation is seen. By bringing the focus onto the characters and their daily lives, illusions and aspirations, the movie manages to to breathe fresh life into what would have otherwise been just another conspiracy film.
A few technical things: The acting is not very consistent. The parisian scenes were very good and the photography was aesthetically pleasing. The music enhanced the atmosphere significantly, though some of its psychedelic overtowns were a bit overpowering at points (making the dialogue hard to follow - if the intention was to transfer the confusion/paranoia to the viewer, it was appropriate, however).
It's not a masterpiece, but it is definitely interesting and worth watching at least once.