In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and ... See full summary »
Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta ... See full summary »
19yo girl loses husband in war. Bombing destroys his family's shop and the widow stays to rebuild it as the rest of the family flee and runs it for 18 years out of love for her dead husband... See full synopsis »
The businessman Ogata Shingo works with his son Shuichi, who is his secretary, and they live together in the suburb with their wives Yasuko and Kikuko respectively. Shuichi has a love ... See full summary »
This is the story of Mama, a.k.a. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. Her family hounds her for money, her customers for her attention, and she is continually in debt. The life of a bar hostess is examined as well as the way in which the system traps and sometimes kills those in it. Written by
Just between us, I'm deep in debt. It's taking its toll... I borrowed so much to get started, that now I'm in a pinch.
Don't laugh. What'll you do?
I've decided to die. Isn't that a great idea? They say sleeping pills work quite well.
Just kidding. It'll be a staged suicide. I won't actually die. I'll just fake it to hold off the creditors. Shocked?
Not shocked... impressed.
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I like the movie, but it has some drawbacks. One of the main problems with When a Woman Ascends the Stairs is having quite a few pointless or uninteresting characters and sometimes prolonging the plot to a tedious degree.
However, I'll give this movie credit for having strong performances from nearly everyone involved, especially the lovely Hideko Takamine in her leading role. Also, this is the only '60s Japanese film noir I've seen so far that has a smooth, jazzy soundtrack and Saul Bass-like opening credits. The black and white cinematography is beautiful to look at, especially the shots of Gonza at night. Despite having a slow start, it gets gradually more and more interesting as the plot unfolds and the final 10 minutes are great. It's not the best movie I've seen Takamine in, but it's overall very interesting.
So, I guess it's 8,5/10 then. I'm interested in seeing more Mikio Naruse films.
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