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Once More, with Feeling! (1960)

6.4
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Ratings: 6.4/10 from 298 users  
Reviews: 14 user | 4 critic

Yul Brynner plays a musical genius whose eccentricities are kept in check by his wife, until she discovers him "auditioning" a sultry young pianist. She walks out on him and his career ... See full summary »

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Title: Once More, with Feeling! (1960)

Once More, with Feeling! (1960) on IMDb 6.4/10

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Cast

Cast overview:
...
Victor Fabian
Kay Kendall ...
Dolly Fabian
Geoffrey Toone ...
Dr. Richard Hilliard
Maxwell Shaw ...
Jascha Gendel / Grisha Gendel
Mervyn Johns ...
Mr. Wilbur Jr.
Martin Benson ...
Luigi Bardini
Harry Lockart ...
Chester
Gregory Ratoff ...
Maxwell Archer
Shirley Anne Field ...
Angela Hopper
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Storyline

Yul Brynner plays a musical genius whose eccentricities are kept in check by his wife, until she discovers him "auditioning" a sultry young pianist. She walks out on him and his career promptly starts skidding. The temperamental maestro must again win his scorned wife. Written by alfiehitchie

Plot Summary | Add Synopsis

Plot Keywords:

based on play

Genres:

Comedy | Drama | Romance

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Details

Country:

Language:

Release Date:

March 1960 (Austria)  »

Also Known As:

Once More, with Feeling!  »

Filming Locations:


Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

John Breslin was interviewed for the role of Chester. See more »

Quotes

Victor Fabian: I am the captain of my soul!
Jasha Gendel: I am the boy on the burning deck...
See more »

Soundtracks

The Stars and Stripes Forever
(uncredited)
Composed by John Philip Sousa
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User Reviews

 
Canned Goods Write Off, Honestly
26 October 2009 | by (Buffalo, New York) – See all my reviews

Unlike Saratoga with Jean Harlow where you can easily tell that the star was in some kind of distress while making the film, there is absolutely no trace of any of ill health in Kay Kendall's sprightly and last performance. A kind Providence left her just as I'm sure she would want to have been remembered by her many fans in Once More With Feeling.

The film is adapted from the original play by Harry Kurnitz which ran for 263 performances in the 1958-59 season on Broadway. Kurnitz was a screenwriter of long standing with an impressive list of credits so I'm sure he had no trouble getting this play sold to the screen and wisely with the proviso he adapt it for film. The play was produced on Broadway by Martin Gabel as a star vehicle for his wife Arlene Francis in the part that Kendall had on screen. Her husband was Joseph Cotten and the part of their manager was played by Walter Matthau.

Cotten's role was taken by Yul Brynner as the egotistical symphony conductor with his wife, talented harp prodigy Kendall. There's is a stormy relationship and Brynner's got a roving eye. It roves to Shirley Anne Field who turns out to be not a child prodigy of 12, but a shapely young thing of 21. Too good to resist for Brynner, but the last straw for Kendall.

The problem is that in the world of classical music, she's the attraction, him they put up with. Manager Gregory Ratoff finds that Brynner's best solo offer is Fargo, North Dakota, quite a come down from the London Symphony.

After this the film and play start looking a whole lot like Twentieth Century. That doesn't mean it isn't good, just not truly original. Brynner and Kendall play well off each other. In the supporting cast I like Mervyn Johns as the director of the Liverpool symphony with whom Brynner is campaigning for a position with or without Kendall. In the midst of the classical music, he who has the Liverpool Symphony deficit as a tax write off for his canned goods firm demands The Stars and Stripes Forever in all concerts and played with piccolo players standing. Is there any other way? Will the Philistine get his way?

Stanley Donen directed Once More With Feeling at a nice and bright clip and he had his own little joke in the credits. Donen who directed several MGM musicals both alone and in collaboration with Gene Kelly had scores by Romberg, Gershwin, etc. Now of course he's dealing with Wagner, Beethoven, Tschaikovsky, and of course John Philip Sousa.

And this review is dedicated to Kay Kendall, who left a nice body of work in her short life that ended at 33. And to my sister Nancy who left us at 34. Both are sorely missed.


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