During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.

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Cast

Complete credited cast:
...
...
George Pratt
...
Frankie Canon
...
Billy Pratt
...
Angel
Mickey Shaughnessy ...
Peter Boggs
...
Lars Nordquist
Joe Sawyer ...
Land Commissioner
...
Lena Nordquist
...
Logger Judge
...
Breezy
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Storyline

Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancée back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after trying to get George and Angel together, finally romances Angel, who, in the meantime, is busy fighting off the advances of George's younger brother, Billy. Frankie is a con man trying to steal the partner's gold claim. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Big Sam and the Big Adventure! See more »

Genres:

Comedy | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 November 1960 (USA)  »

Also Known As:

Go North  »

Box Office

Budget:

$3,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Years after the production was first shown in public, the producers of the film admitted that, in the scene where Capucine is trying to laugh, she was actually tickled on her feet and that her laughs and pleas for mercy were entirely genuine. See more »

Goofs

In the scene when Sam McCord (John Wayne) and George Pratt (Stewart Granger) are coming out of the Palace escorting Peter Boggs to the Land Commissioner, Frankie pulls up in a wagon to race into the Palace to get Peter Boggs. When the fight starts and Frankie hits John Wayne, Wayne stumbles back. As he stumbles, he loses his cowboy hat. When his hat comes off, so does his toupee. As he turns around and you can see the bald spots on the top and back of his head. See more »

Quotes

Michelle: [Sam enters the cabin and picks up his revolver belt] Is he that mad?
Sam McCord: He's not even here! Over at another mine, fighting some claim-jumpers. One good thing about that, them shootin' at him will take George's mind off Jenny.
Michelle: Yes. A bullet through the head is always the best cure for love.
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Connections

Referenced in Disco Fever (1978) See more »

Soundtracks

Bringing in the Sheaves
(uncredited)
Music by George A. Minor
Played by the Salvation Army Band
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of Wayne's better stabs at comedy.
27 April 2003 | by (Portland, Oregon) – See all my reviews

A recent issue of Vanity Fair magazine contained a lengthy article (riddled with some annoying errors, by the way) about the exploits of legendary Hollywood agent (and producer, on occasion), Charles K. Feldman. For John Wayne he at one time obtained a three-picture deal at 20th-Century Fox that included this one, as well as "The Comancheros" and "The Barbarian and the Geisha." This comedy, set in Gold Rush Alaska, is the best of that trio, thanks to Henry Hathaway's hand at the helm, and some extremely astute casting. Stewart Granger, presumably a free agent after fulfilling his MGM contract, is credible as Wayne's partner; Ernie Kovacs, in one of his few film roles, before his untimely death, makes a thoroughly convincing cad; and Fabian, shoehorned in to lure the teenage females, is refreshingly funny in probably his best film performance. Capucine, one of Feldman's conquests, according to that same Vanity Fair article, was given the role of Michelle/'Angel' and she gave a preview of her ability to play a glamour role with an emphasis on comedy that came to full flower in 1964's "The Pink Panther," in which she skillfully matched pratfalls with Peter Sellers in his first incarnation as the immortal Inspector Clouseau.

With the great Kathleen Freeman, the always funny Mickey Shaugnessy, and Karl Swenson rounding out a cast giving full play to the script's comic aspects; Leon Shamroy lensing the proceedings with his usual professionalism; and Lionel Newman contributing an apposite score; this one, with a title song that managed a place on the Hit Parade back then, is lots of not-too-taxing fun. It's soon to be available on DVD, I notice, so its CinemaScope ratio will no doubt be restored, the only way to revisit a film made when widescreens were really wide.


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