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North to Alaska (1960)

 -  Comedy | Western  -  7 November 1960 (USA)
7.0
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Ratings: 7.0/10 from 4,292 users  
Reviews: 39 user | 21 critic

Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancée back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after ... See full summary »

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(screenplay), (screenplay), 5 more credits »
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Cast

Complete credited cast:
...
...
George Pratt
...
Frankie Canon
...
Billy Pratt
...
Angel
Mickey Shaughnessy ...
Peter Boggs
...
Lars Nordquist
Joe Sawyer ...
Land Commissioner
...
Lena Nordquist
...
Logger Judge
...
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Storyline

Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancée back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after trying to get George and Angel together, finally romances Angel, who, in the meantime, is busy fighting off the advances of George's younger brother, Billy. Frankie is a con man trying to steal the partner's gold claim. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Big Sam and the Big Adventure! See more »

Genres:

Comedy | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 November 1960 (USA)  »

Also Known As:

Go North  »

Box Office

Budget:

$3,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The beautiful creek where the cabin was located is also the the same spot used in True Grit for the cabin where Dennis Hopper and his brother were killed and in Nevada Smith where Steve McQueen first met Brian Keith. See more »

Goofs

When Angel slaps Frankie in the hotel room, there is a loud slap when her hand makes contact with his face. But she's wearing gloves at the time. There would be no slapping sound from a gloved hand slapping someone's face. See more »

Quotes

Michelle: Are you going to leave me here alone?
Sam McCord: Make yourself at home. Billy's here.
Michelle: Who's Billy?
Sam McCord: George's little kid brother.
Michelle: How little?
Sam McCord: Seventeen. But he's man enough to take care of you!
Michelle: That's what I'm afraid of!
See more »

Connections

Referenced in Disco Fever (1978) See more »

Soundtracks

Entry of the Gladiators
(uncredited)
Music by Julius Fucík
Played in the bar in the first scene
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of Wayne's better stabs at comedy.
27 April 2003 | by (Portland, Oregon) – See all my reviews

A recent issue of Vanity Fair magazine contained a lengthy article (riddled with some annoying errors, by the way) about the exploits of legendary Hollywood agent (and producer, on occasion), Charles K. Feldman. For John Wayne he at one time obtained a three-picture deal at 20th-Century Fox that included this one, as well as "The Comancheros" and "The Barbarian and the Geisha." This comedy, set in Gold Rush Alaska, is the best of that trio, thanks to Henry Hathaway's hand at the helm, and some extremely astute casting. Stewart Granger, presumably a free agent after fulfilling his MGM contract, is credible as Wayne's partner; Ernie Kovacs, in one of his few film roles, before his untimely death, makes a thoroughly convincing cad; and Fabian, shoehorned in to lure the teenage females, is refreshingly funny in probably his best film performance. Capucine, one of Feldman's conquests, according to that same Vanity Fair article, was given the role of Michelle/'Angel' and she gave a preview of her ability to play a glamour role with an emphasis on comedy that came to full flower in 1964's "The Pink Panther," in which she skillfully matched pratfalls with Peter Sellers in his first incarnation as the immortal Inspector Clouseau.

With the great Kathleen Freeman, the always funny Mickey Shaugnessy, and Karl Swenson rounding out a cast giving full play to the script's comic aspects; Leon Shamroy lensing the proceedings with his usual professionalism; and Lionel Newman contributing an apposite score; this one, with a title song that managed a place on the Hit Parade back then, is lots of not-too-taxing fun. It's soon to be available on DVD, I notice, so its CinemaScope ratio will no doubt be restored, the only way to revisit a film made when widescreens were really wide.


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Capucine cashmccall321
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