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North to Alaska (1960)

 -  Comedy | Western  -  7 November 1960 (USA)
7.0
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Ratings: 7.0/10 from 3,983 users  
Reviews: 36 user | 21 critic

Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancé back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after ... See full summary »

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(screenplay), (screenplay), 5 more credits »
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Cast

Complete credited cast:
...
...
George Pratt
...
Frankie Canon
...
Billy Pratt
...
Angel
Mickey Shaughnessy ...
Peter Boggs
...
Lars Nordquist
Joe Sawyer ...
Land Commissioner
...
Lena Nordquist
...
Logger Judge
...
Breezy
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Storyline

Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancé back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after trying to get George and Angel together, finally romances Angel, who, in the meantime, is busy fighting off the advances of George's younger brother, Billy. Frankie is a con man trying to steal the partner's gold claim. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

In all the 50 states you won't find a fun-filled adventure like it! See more »

Genres:

Comedy | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 November 1960 (USA)  »

Also Known As:

Go North  »

Box Office

Budget:

$3,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Years after the production was first shown in public, the producers of the film admitted that, in the scene where Capucine is trying to laugh, she was actually tickled on her feet and that her laughs and pleas for mercy were entirely genuine. See more »

Goofs

When Billy Pratt and Angel are having dinner, Billy opens a bottle of champagne that sprays out and douses one of the candles on the table. In the very next shot, Billy has his hand over the mouth of the bottle to stop the spray and the candle is lit. The candle is then out again, then lit again, then out a third time in following shots. See more »

Quotes

Sam McCord: This is my old friend Lena Nordquist.
Michelle: How do you do, Mrs Nordquist?
Sam McCord: Well, come on, come on! There's nothing to fear. She's half-human.
See more »

Connections

Featured in Shoot It in Lone Pine! (2008) See more »

Soundtracks

Bringing in the Sheaves
(uncredited)
Music by George A. Minor
Played by the Salvation Army Band
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of Wayne's better stabs at comedy.
27 April 2003 | by (Portland, Oregon) – See all my reviews

A recent issue of Vanity Fair magazine contained a lengthy article (riddled with some annoying errors, by the way) about the exploits of legendary Hollywood agent (and producer, on occasion), Charles K. Feldman. For John Wayne he at one time obtained a three-picture deal at 20th-Century Fox that included this one, as well as "The Comancheros" and "The Barbarian and the Geisha." This comedy, set in Gold Rush Alaska, is the best of that trio, thanks to Henry Hathaway's hand at the helm, and some extremely astute casting. Stewart Granger, presumably a free agent after fulfilling his MGM contract, is credible as Wayne's partner; Ernie Kovacs, in one of his few film roles, before his untimely death, makes a thoroughly convincing cad; and Fabian, shoehorned in to lure the teenage females, is refreshingly funny in probably his best film performance. Capucine, one of Feldman's conquests, according to that same Vanity Fair article, was given the role of Michelle/'Angel' and she gave a preview of her ability to play a glamour role with an emphasis on comedy that came to full flower in 1964's "The Pink Panther," in which she skillfully matched pratfalls with Peter Sellers in his first incarnation as the immortal Inspector Clouseau.

With the great Kathleen Freeman, the always funny Mickey Shaugnessy, and Karl Swenson rounding out a cast giving full play to the script's comic aspects; Leon Shamroy lensing the proceedings with his usual professionalism; and Lionel Newman contributing an apposite score; this one, with a title song that managed a place on the Hit Parade back then, is lots of not-too-taxing fun. It's soon to be available on DVD, I notice, so its CinemaScope ratio will no doubt be restored, the only way to revisit a film made when widescreens were really wide.


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