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Never Take Sweets from a Stranger (1960)

 -  Drama | Mystery | Thriller  -  August 1960 (USA)
7.3
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Ratings: 7.3/10 from 468 users  
Reviews: 24 user | 32 critic

Peter Carter meets official resistance when he finds his 9 year old daughter has been the victim of the pedophile patriarch of the town's most powerful family.

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Edit

Cast

Cast overview, first billed only:
Gwen Watford ...
Sally Carter
Patrick Allen ...
Peter Carter
Felix Aylmer ...
Clarence Olderberry Sr.
Niall MacGinnis ...
Defense Counsel
Alison Leggatt ...
Martha
Bill Nagy ...
Clarence Olderberry Jr
Michael Gwynn ...
Prosecutor
Budd Knapp ...
Hammond
MacDonald Parke ...
Judge
Estelle Brody ...
Eunice Kalliduke
Helen Horton ...
Sylvia Kingsley
Robert Arden ...
Tom Demarest
Gaylord Cavallaro ...
Neal Phillips
Vera Cook ...
Mrs. Demarest
Janina Faye ...
Jean Carter
Edit

Storyline

Jean Carter, nine-year-old daughter of the town's newly-appointed school principal, Peter Carter and his wife Sally, is playing in the woods with her 11-year-old friend Lucille, when Jean discovers she has lost her purse containing her "candy" money. Lucille tells her she knows where they can get sweets for nothing, and leads her to an imposing mansion, from which the owner, Clarence Olderberry, Sr., a tall, gaunt man of 70 has been watching the girls from a window. That night Jean, unable to sleep, tells her parents that Oldeberry made her and Lucille dance before him nude in exchange for some candy. Carter files a complaint, but the local police chief, Captain Hammond, is skeptical of Jean's story and warns Carter that the Oldenberry family put the town on the map and have far more standing in the community than the new-comer Carters. Oldenberry, Jr. also tells Carter that if he follows up on the complaint he may be certain that Oldenberry's lawyers will show Jean no mercy. In the ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

A Nightmare Manhunt For Maniac Prowler! See more »


Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

August 1960 (USA)  »

Also Known As:

Never Take Candy from a Stranger  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Goofs

When Martha returns home after her aborted attempt to go to the hairdresser and she sits down, a shadow of the boom microphone is briefly visible on the stone wall behind Sally. See more »

Quotes

[Peter brings Jean home. The police and many town people gather around. Sally hugs Jean. Clarence Olderberry Jr. approaches them, grief-stricken and distraught after discovering what his father did to Lucille]
Clarence Jr: [to Peter and Sally] He killed her! My father... he killed that little girl!
Sally Carter: Ho, no!
Jean Carter: Mommy... I was frightened.
Sally Carter: [hugs Jean closely] It's alright, darling. You're safe now. You're home.
[Sally takes Jean into the house]
Sally Carter: Excuse me.
[...]
See more »

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User Reviews

 
Very suspenseful B-picture
22 August 2000 | by See all my reviews

I saw this on video as "Never Take Candy from a Stranger," under which title it was apparently released in the U.S. It was the one serious film produced by Hammer Films, famous for its Gothic horrors, and I found this much more suspenseful, as well as much better made, than the lot of them. It begins with small tensions of frustration and mild dislike among members of the academic community in a small town and gradually, subtly builds to an atmosphere of dread that catches in the throat. Every character, down to the bit parts, has something of interest to say, and what they say and do, and how their actions combine, lead step by step to the harrowing conclusion. The only fault is the over-simplicity of its social viewpoint, as expressed by the main character and justified by the events of the story, which are by no means unbelievable but not inevitable either. Apart from that, I thought it was a first-class B-picture, a small film in the good sense, compact and economical, with all its resources, human and otherwise, firmly in hand. Also, it has the grey photography that once used to give films of this type the aura they needed: the grey of rain and fog and dusk and uneasy feelings.


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Errors in plot. DavidW1947
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