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Never Let Go (1960)

 -  Crime | Drama  -  14 June 1963 (USA)
7.1
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Ratings: 7.1/10 from 528 users  
Reviews: 21 user | 6 critic

A cosmetic salesman sets out to prove to himself and his wife that he is not a failure.

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(story), (story), 1 more credit »
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Title: Never Let Go (1960)

Never Let Go (1960) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
...
John Cummings
...
Lionel Meadows
...
Anne Cummings
Adam Faith ...
Tommy Towers
Carol White ...
Jackie
Mervyn Johns ...
Alfie Barnes
Noel Willman ...
Inspector Thomas
David Lodge ...
Cliff
Peter Jones ...
Alec Berger
John Bailey ...
Mackinnon
...
Regan
...
Pennington
John Dunbar ...
Station Sergeant
Charles Houston ...
Cyril Spink
Cyril Shaps ...
Cypriot
Edit

Storyline

A cosmetic salesman sets out to prove to himself and his wife that he is not a failure.

Plot Summary | Add Synopsis

Taglines:

Peter Sellers in a new and exciting role!

Genres:

Crime | Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

14 June 1963 (USA)  »

Also Known As:

A Fúria de um Bravo  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

When Richard Todd is talking to the police outside the run down building that houses Mervyn Johns' flat, there is a peeling poster on the wall advertising the 1955 production of the play The Remarkable Mr Pennypacker starring Nigel Patrick and Elizabeth Sellars. See more »

Goofs

About five minutes into the film, Richard Todd is looking for his lost car. One of the shots is "flipped" - you can see the sign for "Berger's Cosmetics" but it's backwards. See more »

Connections

Referenced in The Cinema Snob: Caligula: Part II (2010) See more »

Soundtracks

When Johnny Comes Marching Home
(uncredited)
Traditional
Arranged and conducted by John Barry
Lyrics by Louis Lambert
Sung by Adam Faith
Heard over the opening and closing titles
See more »

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User Reviews

 
Classic example of late 50s/early 60s British gritty reality cinema
15 March 2004 | by (Brisbane, Australia) – See all my reviews

I've now seen this film a few times when it gets shown late at night on ABC TV here in Australia and it is still compelling viewing. It is a classic example of the gritty working class social reality/suspense genre in a post Angry Young Men gloomy London setting with a superb cast all giving stellar performances, particularly Peter Sellers as the petty vicious crook (one of his best roles), Elizabeth Sellars as the long suffering wife, Carol White, Mervyn Johns and Adam Faith. The casting of Richard Todd in the lead role of the down-trodden but defiant cosmetics salesman who wants to show everyone he can succeed is superb, inspired and brilliant, particularly given that he was normally cast as heroic and successful types, such as officers.

It is impossible not to identify with the personal struggle against the injustice of the very difficult situation in which Todd's character has found himself and that was not of his own making. Although the film has the typical feel of the late 50s/early 60s era in British urban society (which I love, by the way!), I found his work situation, which is at the heart of the story, and the way he tried to deal with it achingly convincing and clearly reminiscent of more modern eras, particularly with the constant threat of up and coming younger, brighter and sharper sales staff being used by the management as an unsubtle threat to his position if he does not improve his sales figures. I am sure anyone who has ever been paid on a sales commissions basis in a competitive product or service field would be able to identify easily with that situation.

His persistent determination to deal with the unsavoury types he thinks are responsible for the theft of his car in the face of police indifference and try to get back everything that he has lost, while everyone is telling him to just give up, is portrayed very convincingly and the final ending and resolution with the fight scene in the garage is utterly convincing and satisfying. I strongly recommend this film and I have always found it difficult to understand why Richard Todd never became the huge star I believe he deserved to be.


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