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A lonely and bitter young heiress - jealous of her cousin's engagement to another woman - becomes dangerously obsessed with legends surrounding a vampire ancestor, who supposedly murdered the young brides of the man she loved.
Hans arrives in a town near Amsterdam to write a story on the reclusive sculptor, Professor Val, who lives on an island in the old mill house the locals call the Mill of the Stone Women. Hans meets the professor's beautiful and seductive daughter, and begins feeling passion for her despite his true love for Lisa Lotta. Slowly he becomes aware of the nefarious experiments being conducted by Val and his furtive assistant Dr. Boles, and local women continue to disappear. Written by
Ed Sutton <firstname.lastname@example.org>
A handsomely produced, fascinating exercise in celluloid fear
Beautifully directed and photographed European horror film that owes a debt to Franju's EYES WITHOUT A FACE.
An evocative, creepy score by Carlo Innocenzi helps director Giorgio Ferroni conjure a work of great atmosphere and intense drama.
As in EYES and Franco's ORLOFF, the subject is a fanatic obsessed with preserving the life of a dearly departed member of his family -- in this case, his daughter Elfi, played by the achingly beautiful and sensual Scilla Gabel.
The setting, a windmill outside Amsterdam, is a superb arena for the fantastic goings-on that provide frisson upon frisson of wonder and dread. The "stone women" of the title are frightening, fascinating figures of fear and are richly employed by Ferroni who demonstrates an acute talent for fantasy.
The superb opening sequence establishes a mood that never falters, and the exciting finale, with the Stone Women ablaze, is pure magic.
A handsomely produced gem.
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