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Black Sunday (1960)
"La maschera del demonio" (original title)

 -  Horror  -  15 February 1961 (USA)
7.4
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Ratings: 7.4/10 from 7,113 users  
Reviews: 99 user | 111 critic

A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant. Only the girl's brother and a... See full summary »

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Title: Black Sunday (1960)

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Cast

Complete credited cast:
...
Katia Vajda / Princess Asa Vajda (as Barbara Steel)
...
Andrea Checchi ...
Dr. Thomas Kruvajan
Ivo Garrani ...
Prince Vajda
Arturo Dominici ...
Igor Javutich / Javuto
Enrico Olivieri ...
Prince Constantine Vajda
Antonio Pierfederici ...
Priest
Tino Bianchi ...
Ivan
Clara Bindi ...
Inn Keeper
Mario Passante ...
Nikita, the Coachman
Renato Terra ...
Boris
Germana Dominici ...
Sonya, the Innkeeper's Daughter
Edit

Storyline

A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant. Only the girl's brother and a handsome doctor stand in her way. Written by D.A. Kellough <dkelloug@infinet.com>

Plot Summary | Plot Synopsis

Taglines:

STARE INTO THESE EYES... discover deep within them the unspeakable terrifying secret of BLACK SUNDAY... it will paralyze you with fright! See more »

Genres:

Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 February 1961 (USA)  »

Also Known As:

Black Sunday  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Both Barbara Steele and Arturo Dominici were fitted with vampire fangs. Mario Bava decided against using them in the film. They can be seen in some of the publicity photos. See more »

Goofs

In the opening credits, Barbara Steele's name is misspelled as Barbara Steel. See more »

Quotes

Princess Asa Vajda: You will never escape my vengeance, or of Satan's! My revenge will seek you out, and with the blood of your sons, and of their sons, and their sons, I will continue to live forever! They will restore me to life you now rob from me!
See more »

Crazy Credits

For "The Mask of Satan," the English language version prepared in Italy, Barbara Steele's name is listed as "Barbara Steel" on the trailer and on the credits of the film itself. See more »

Connections

Referenced in Bloody Pit of Horror (1965) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Living dead masterpiece of Italian cinema
7 January 2006 | by (Van Buren, Arkansas) – See all my reviews

Be sure and watch the uncut version with the title "The Mask of Satan," not the censored "Black Sunday" copy, to get the full effect of this living dead masterpiece of Italian cinema. More a movie of the undead than a vampire flick, it reminds the horror aficionado of a Val Lewton film from the 1940's, especially "The Leopard Man," not that "The Mask of Satan" is about leopards, but the mood and atmosphere are similar.

The film is about a woman of darkness and her mate who were executed for witchcraft two centuries before the Napoleonic period of European history. The most gruesome feature of the execution involved nailing a mask of Satan to their faces by means of a giant sledgehammer before they were entombed. By accident two hundred years later a doctor and his assistant while journeying through the region by coach on a dark stormy night filled with eerie devilish sounds, the doctor removes the mask from Princess Asa Vajda supposed corpse. Now Princess Vajda and her fiendish companion become free to seek their revenge. Their evil is released on the world and must be stopped.

This is undoubtedly director Mario Bava best film. The marvelous camera work draws the viewer into the maelstrom of darkness and evil through innovative movements and angles. The shadowy settings where the actors are posed in ominous fashion are unforgettable. One obvious inspiration for Bava was the contemporary British Hammer horror film popular in America, especially with the drive-in crowd. The arrival of Katia Vajda with what appear to be the dogs of Hell, standing like a silhouette of damnation, reminds one of a Caspar David Friedrich painting from the German Romantic art movement of the Napoleonic era. One wonders if the director of "The Omen," Richard Donner, patterned his creepy scene in the cemetery with the Rottweilers after this scene in "The Mask of Satan."

This movie remains a must see for horror fans, somewhat of a lost treasure.


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