Zany collection of misfits led by aging military man (Terry-Thomas) go on a spree of robbing mink coats. An unlikely trio of women (Athene Seyler, Hattie Jacques, and Elspeth Duxbury) find ...
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Brenda de Banzie
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Zany collection of misfits led by aging military man (Terry-Thomas) go on a spree of robbing mink coats. An unlikely trio of women (Athene Seyler, Hattie Jacques, and Elspeth Duxbury) find new reasons to live ... until their housekeeper (Billie Whitelaw), an ex-con is suspected of the robberies. Written by
Ed Lorusso <email@example.com>
I liked this. I suggest you reserve it for a time when you want something that isn't much work in viewing (which means that 1960 is about the latest you can consider).
The structure is a familiar one: we watch a bunch of actors portraying unlikely characters who themselves play unlikely characters precisely as far away. The joke of course is in the overlap, and the competence of the first contrasted with the incompetence of the second. Its all about coats and appropriation.
There's an interesting performer here, one I haven't seen before. She plays a painfully reserved spinster who's occupation is mending broken china. Her character, Pinkie, is immensely inept and most of the polished humor (this was a successful stage play) is hers. We are introduced to her when the silly major breaks in on her bath because she has extended into his time.
This is moments after having the first long segment of the movie linger on the sexy, pretty maid. And we see a naked skinny old maid in the bath. The major is retired from his duty as commander of "portable baths."
That's the attention to detail you'll find in how this humor is constructed.
Anyway, Pinkie (with the wonderful name of Elspeth Duxbury) only lived a few years after this. Too bad.
Ted's Evaluation -- 3 of 3: Worth watching.
13 of 19 people found this review helpful.
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