| Photos (See all 64 | slideshow) | Videos (see all 3) |
| Yul Brynner | ... | Chris Larabee Adams | |
| Eli Wallach | ... | Calvera | |
| Steve McQueen | ... | Vin Tanner | |
| Charles Bronson | ... | Bernardo O'Reilly | |
| Robert Vaughn | ... | Lee | |
| Brad Dexter | ... | Harry Luck | |
| James Coburn | ... | Britt | |
| Jorge Martínez de Hoyos | ... | Hilario (as Jorge Martinez de Hoyas) | |
| Vladimir Sokoloff | ... | Old Man | |
| Rosenda Monteros | ... | Petra | |
| Rico Alaniz | ... | Sotero | |
| Pepe Hern | ... | Tomas | |
| Natividad Vacío | ... | Villager (as Natividad Vacio) | |
| Mario Navarro | ... | Boy with O'Reilly | |
| Danny Bravo | |||
| John A. Alonzo | ... | Miguel (as John Alonso) | |
| Enrique Lucero | ... | Villager | |
| Alex Montoya | |||
| Robert J. Wilke | ... | Wallace (as Robert Wilke) | |
| Val Avery | ... | Henry | |
| Whit Bissell | ... | Chamlee | |
| Bing Russell | ... | Robert | |
| Horst Buchholz | ... | Chico | |
| rest of cast listed alphabetically: | |||
| Henry Amargo | ... | Villager (uncredited) | |
| José Chávez | ... | Rafael (uncredited) (unconfirmed) | |
| Roberto Contreras | ... | Villager (uncredited) | |
| Jim Davis | ... | Gunman at Boot Hill (uncredited) | |
| Valentin de Vargas | ... | Calvera Henchman (uncredited) | |
| Larry Duran | ... | Calvera Henchman (uncredited) | |
| Victor French | ... | Front Office Clerk (uncredited) | |
| Joseph Ruskin | ... | Flynn (uncredited) | |
Directed by | |||
| John Sturges | |||
Writing credits | ||
| William Roberts | (screenplay) | |
| Akira Kurosawa | (screenplay "Shichinin no samurai") uncredited & | |
| Shinobu Hashimoto | (screenplay "Shichinin no samurai") uncredited & | |
| Hideo Oguni | (screenplay "Shichinin no samurai") uncredited | |
| Walter Bernstein | uncredited and | |
| Walter Newman | uncredited | |
Produced by | |||
| Walter Mirisch | .... | executive producer | |
| Lou Morheim | .... | associate producer | |
| John Sturges | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Charles Lang | (director of photography) (as Charles Lang Jr.) | ||
Film Editing by | |||
| Ferris Webster | |||
Art Direction by | |||
| Edward Fitzgerald | |||
Set Decoration by | |||
| Rafael Suárez | (as Rafael Suarez) | ||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist (as Emile Lavigne) | |
| Daniel C. Striepeke | .... | makeup artist (as Daniel Striepke) | |
Production Management | |||
| Francisco Day | .... | production manager (as Chico Day) | |
| Allen K. Wood | .... | production supervisor | |
| Hubert Fröhlich | .... | production manager (uncredited) | |
| John Veitch | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jaime Contreras | .... | assistant director | |
| Robert E. Relyea | .... | assistant director | |
| Emilio Fernández | .... | assistant director (uncredited) | |
| Jerome M. Siegel | .... | assistant director (uncredited) | |
Art Department | |||
| Sam Gordon | .... | property | |
Sound Department | |||
| Del Harris | .... | sound effects editor | |
| Rafael Ruiz Esparza | .... | sound (as Rafael Esparza) | |
| Jack Solomon | .... | sound | |
Special Effects by | |||
| Milt Rice | .... | special effects | |
Stunts | |||
| Larry Duran | .... | stunts (uncredited) | |
| Jerry Gatlin | .... | stunts (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
| Henry Wills | .... | stunt coordinator (uncredited) | |
| Henry Wills | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Hugh Crawford | .... | camera assistant (uncredited) | |
| Jack Harris | .... | still photographer (uncredited) | |
| Kenneth Meade | .... | camera assistant (uncredited) | |
| Kyme Meade | .... | camera operator (uncredited) | |
| Don Stott | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Bert Henrikson | .... | wardrobe (uncredited) | |
Music Department | |||
| Bob Bain | .... | musician: guitar (uncredited) | |
| Jack Hayes | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
Other crew | |||
| Thom Conroy | .... | dialogue director | |
| John Franco | .... | script continuity | |
| 'Chema' Hernandez | .... | head wrangler (uncredited) | |
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| A Fistful of Dollars | Last Man Standing | Rio Bravo | Return of the Seven | Pale Rider |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
What could have been a fairly routine western is lifted into the realm of classic thanks to some smart casting, sturdy direction and a rousing music score. A reworking of Akira Kurosawa's "Seven Samurai", the story concerns a Mexican village which is constantly pillaged by bandit Wallach and his small army of followers. Three of the villagers hire a mix of gunslingers to come back to protect and defend the town and rid it of the oppressors. Brynner leads the group (seven in total, hence the title) as they teach the farmers how to use a gun and prepare the town for the eventual onslaught from Wallach. The already tough odds are lengthened when some of the villagers begin to lose faith in the power of the seven. Brynner is solid in the lead role (though, unfortunately, his later role in "Westworld" adds an odd shading to his character here.) He, McQueen and Coburn define the word cool as they go about their various exploits before and after they join forces. McQueen and Coburn are men of few words, but of fierce actions when necessary. Bronson (rather young and handsome, though still a little craggy looking) does his best with a pretty mushy storyline involving the youth of the village. Buchholz overacts feverishly as a determined, but inexperienced youth. Vaughn seems a tad out of place and has one major ham moment during a nightmare. Dexter (easily the most often forgotten member of the group) has a few moments, but his character is not particularly defined. Wallach excels in the showy role of the chief bandit. His brash performance is a great counterpoint to the more steely and solemn title gunmen. The villagers come off as hapless and pitiful, for the most part. Along the way, there are several memorable vignettes that showcase the charm of the actors involved. The casting director did an almost miraculous job of using known stars and picking supporting actors who would soon be just as big so that the film now has virtually an all-star cast. The biggest shot in the arm of all is the monumental score by Elmer Bernstein. The instantly recognizable title music is just one of the many great pieces he created for the film. The sometimes laconic story is carried a long way by his score. The concept of disparate characters being brought together for a common cause has been done many times, but rarely with this level of quality. It's sometimes hard to believe that the film was made in 1960 as its look, content and cast make it seem like a later film. It was definitely a touchstone in the development of the western film.