In 1825 an English aristocrat is captured by Indians. He lives with them and begins to understand/accept their lifestyles. Eventually he is accepted as part of the tribe and becomes their ... See full summary »
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of 40 bandits who will arrive wanting food. An Americanization of the film, Seven Samurai (1954) Written by
John Vogel <email@example.com>
Village Boy 2:
We're ashamed to live here. Our fathers are cowards.
Don't you ever say that again about your fathers, because they are not cowards. You think I am brave because I carry a gun; well, your fathers are much braver because they carry responsibility, for you, your brothers, your sisters, and your mothers. And this responsibility is like a big rock that weighs a ton. It bends and it twists them until finally it buries them under the ground. And there's nobody says they have to do this. They do it ...
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SEVEN is one of the better Westerns to come out for the aging genre. Also, for any genre, it has much better characterization; from the cowboys, to the farmers, and even the outlaws themselves, everyone gets their own fair share of camera time to make MAGNIFICENT SEVEN a classic in its own right.
Outlaws steal from a small Mexican farming town every once in awhile. Since the authorities do nothing, the farmers enlist the aid of seven gunmen to solve their problem.
Compared to THE SEVEN SAMURAI, I would have to say MAGNIFICENT is less dark and reflective. An outlaw such as Calvera is hard to hate seeing him as a character on screen. Also, a better motive to explain why the outlaws continue their attack on the village is shown here, as opposed to Kurosawa's classic, where the raiders relentlessly never gave up, not once thinking (or admitting) the village is well fortified and they were not going to win. The scene and spirit of the old west, combined with the philosophies of the far east, have made a fine movie.
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