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The Magnificent Seven (1960)

7.8
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Ratings: 7.8/10 from 44,034 users  
Reviews: 210 user | 74 critic

An oppressed Mexican peasant village assembles seven gunfighters to help defend their homes.

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Title: The Magnificent Seven (1960)

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Nominated for 1 Oscar. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Lee
...
...
Jorge Martínez de Hoyos ...
Hilario (as Jorge Martinez de Hoyas)
Vladimir Sokoloff ...
Old Man
Rosenda Monteros ...
Rico Alaniz ...
Sotero
Pepe Hern ...
Tomas
Natividad Vacío ...
Villager (as Natividad Vacio)
Mario Navarro ...
Boy with O'Reilly
Danny Bravo
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Storyline

A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of 40 bandits who will arrive wanting food. An Americanization of the film, Seven Samurai Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Plot Keywords:

village | bandit | mexican | farmer | showdown | See more »

Taglines:

The Magnificent One! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

23 October 1960 (USA)  »

Also Known As:

Los siete magníficos  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Eli Wallach's autobiography, Yul Brynner had a major problem with what he perceived as Steve McQueen's trying to upstage him. According to Wallach, McQueen would do things when on screen with Brynner to draw attention to his character. Examples were his shaking of the shotgun shells and taking off his hat to check the sun during the hearse scene and leaning off his horse to dip his hat in the river when the Seven cross into Mexico. Brynner was supposedly so worried about McQueen stealing his limelight in scenes that he hired an assistant to count the number of times McQueen touched his own hat when he [Brynner] was speaking. See more »

Goofs

The first man Calvera kills near the beginning of the movie has no wounds on his back after being shot and falling to the ground. When the villagers run to the body to look at the man, there are two wounds on his back. See more »

Quotes

[Chris is driving the hearse up to Boot Hill; Vin is riding shotgun]
Chris: We'll get there.
Vin: It's not getting up there that bothers me. It's staying up there that I mind.
See more »

Connections

Referenced in Superior Firepower: The Making of 'Aliens' (2003) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A relic of a bygone era, and a good one at that...
2 October 2004 | by (Southern Hemisphere) – See all my reviews

Based somewhat faithfully on the Akira Kurosawa classic Shichinin no samurai, The Magnificent Seven could be mistaken for just another of the many Westerns that were turned out in Hollywood during this era. But there is a certain something that keeps The Magnificent Seven unique. Part of it is the concept borrowed from the earlier Japanese film, but some of it lies in the attitude of the seven mercenaries referred to in the title.

Much is made here of the difference between fighting for money, fighting for justice, or fighting for a future. While this version of Kurosawa's epic contains all the philosophical leanings of the original, it isn't nearly as long-winded or languid. The downside to this is that it isn't nearly as moody or powerful. In fact, one can easily see the difference between American and foreign cinema simply by comparing Shichinin no samurai with The Magnificent Seven. One is incredibly dark and downbeat most of the time. The other mostly has a score that is so major it wouldn't sound out of place in Seven Brides For Seven Brothers.

Differences in feeling aside, the ultimate question is whether this version of the story manages to entertain. The hardest challenge any film faces is keeping the audience amused while all the exposition is laid out. Here, the exposition is kept to a minimum while carefully inserted between some fast-paced, albeit very mild action sequences.

Sometimes, the dialogue ("We deal in lead, friend.") gets incredibly stilted. Sometimes, it seems incredibly wise. Well, since we have examples of films where it's all stilted, all the time, we can forgive this one. The film also includes several textbook examples of how to include a sudden plot element without seeming contrived. When we learn why Calvera's men just won't go away, it needs no setup simply because it is consistent with their behaviour throughout the rest of the film.

In the end, The Magnificent Seven comes off as an excellent remake of a masterpiece. There are better Westerns out there, and there are better action films, but there aren't many. I gave it a nine out of ten. Go in expecting to be entertained, but little more, and you cannot go wrong.


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