The Magnificent Seven (1960) 7.8
An oppressed Mexican peasant village assembles seven gunfighters to help defend their homes. Director:John SturgesWriter:William Roberts (screenplay) |
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The Magnificent Seven (1960) 7.8
An oppressed Mexican peasant village assembles seven gunfighters to help defend their homes. Director:John SturgesWriter:William Roberts (screenplay) |
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Yul Brynner | ... | ||
| Eli Wallach | ... | ||
| Steve McQueen | ... | ||
| Charles Bronson | ... | ||
| Robert Vaughn | ... | ||
| Brad Dexter | ... | ||
| James Coburn | ... | ||
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Jorge Martínez de Hoyos | ... |
Hilario
(as Jorge Martinez de Hoyas)
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Vladimir Sokoloff | ... |
Old Man
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Rosenda Monteros | ... | |
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Rico Alaniz | ... |
Sotero
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Pepe Hern | ... |
Tomas
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Natividad Vacío | ... |
Villager
(as Natividad Vacio)
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Mario Navarro | ... |
Boy with O'Reilly
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Danny Bravo |
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A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of 40 bandits who will arrive wanting food. An Americanization of the film, Seven Samurai Written by John Vogel <jlvogel@comcast.net>
SEVEN is one of the better Westerns to come out for the aging genre. Also, for any genre, it has much better characterization; from the cowboys, to the farmers, and even the outlaws themselves, everyone gets their own fair share of camera time to make MAGNIFICENT SEVEN a classic in its own right.
Outlaws steal from a small Mexican farming town every once in awhile. Since the authorities do nothing, the farmers enlist the aid of seven gunmen to solve their problem.
Compared to THE SEVEN SAMURAI, I would have to say MAGNIFICENT is less dark and reflective. An outlaw such as Calvera is hard to hate seeing him as a character on screen. Also, a better motive to explain why the outlaws continue their attack on the village is shown here, as opposed to Kurosawa's classic, where the raiders relentlessly never gave up, not once thinking (or admitting) the village is well fortified and they were not going to win. The scene and spirit of the old west, combined with the philosophies of the far east, have made a fine movie.