Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out ... See full summary »
Marshal Chris Adams turns down a friend's request to help stop the depredations of a gang of Mexican bandits. When his wife is killed by bank robbers and his friend is killed capturing the ... See full summary »
Lee Van Cleef,
A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of 40 bandits who will arrive wanting food. An Americanization of the film, Seven Samurai (1954) Written by
John Vogel <firstname.lastname@example.org>
When Bernardo pulls one of the village boys onto his lap to spank him for calling the adult villagers "cowards" the bed appears to collapse beneath him. See more »
Rojas is makin' room for you in his home.
Rojas? His conversation would bore me to death!
[sits on the wooden chair]
maybe somebody else, huh?
hey are all farmers. Farmers talk of nothing but fertiliser and women. I've never shared their enthusiasm for fertiliser. As for women, I became indifferent when I was 83. I am staying here.
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SEVEN is one of the better Westerns to come out for the aging genre. Also, for any genre, it has much better characterization; from the cowboys, to the farmers, and even the outlaws themselves, everyone gets their own fair share of camera time to make MAGNIFICENT SEVEN a classic in its own right.
Outlaws steal from a small Mexican farming town every once in awhile. Since the authorities do nothing, the farmers enlist the aid of seven gunmen to solve their problem.
Compared to THE SEVEN SAMURAI, I would have to say MAGNIFICENT is less dark and reflective. An outlaw such as Calvera is hard to hate seeing him as a character on screen. Also, a better motive to explain why the outlaws continue their attack on the village is shown here, as opposed to Kurosawa's classic, where the raiders relentlessly never gave up, not once thinking (or admitting) the village is well fortified and they were not going to win. The scene and spirit of the old west, combined with the philosophies of the far east, have made a fine movie.
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