Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out ... See full summary »
Marshal Chris Adams turns down a friend's request to help stop the depredations of a gang of Mexican bandits. When his wife is killed by bank robbers and his friend is killed capturing the ... See full summary »
Lee Van Cleef,
When an Indian village is threatened by ex-Confederate soldiers, several villagers head out to seek help. They recruit seven men, each with unique skills, who return to the village and take... See full summary »
A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of 40 bandits who will arrive wanting food. An Americanization of the film, Seven Samurai (1954) Written by
John Vogel <email@example.com>
Yul Brynner (5'10") was concerned to make sure he always appeared substantially taller than Steve McQueen (5'9 1/2"), to the point of making a little mound of earth and standing on it in all their shots together. McQueen, for his part, casually kicked at the mound every time he passed by it. See more »
After Calvera and his men are driven from the village the first time, there is a sequence in which three of his men start taking potshots at the villagers from the trees. One of these shots strikes Chico's hat and knocks it off his head. He even sticks a finger through the hole after retrieving it, however in a scene just a couple minutes later, Petra (the Mexican girl) is talking with Chico. We can see there is no bullet hole in the front of his hat and at one point, he turns his head 180 degrees in order to look behind him and there is clearly no bullet hole in the back of his hat, either. It has simply disappeared. See more »
[Chris is driving the hearse up to Boot Hill; Vin is riding shotgun]
We'll get there.
It's not getting up there that bothers me. It's staying up there that I mind.
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SEVEN is one of the better Westerns to come out for the aging genre. Also, for any genre, it has much better characterization; from the cowboys, to the farmers, and even the outlaws themselves, everyone gets their own fair share of camera time to make MAGNIFICENT SEVEN a classic in its own right.
Outlaws steal from a small Mexican farming town every once in awhile. Since the authorities do nothing, the farmers enlist the aid of seven gunmen to solve their problem.
Compared to THE SEVEN SAMURAI, I would have to say MAGNIFICENT is less dark and reflective. An outlaw such as Calvera is hard to hate seeing him as a character on screen. Also, a better motive to explain why the outlaws continue their attack on the village is shown here, as opposed to Kurosawa's classic, where the raiders relentlessly never gave up, not once thinking (or admitting) the village is well fortified and they were not going to win. The scene and spirit of the old west, combined with the philosophies of the far east, have made a fine movie.
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