Three survivors of the initial Magnificent Seven outfit, Chico, Chris and Vin, recruit four new members in order to re-form the outfit and defend a few Mexican villages from attacks by vicious bandits.
A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with seven, each of whom comes for a different reason. They must prepare the town to repulse an army of thirty bandits who will arrive wanting food. Written by
John Vogel <firstname.lastname@example.org>
When filming began in Mexico, problems arose with the local censors, who demanded changes to the ways that the Mexican villagers would be portrayed. Walter Newman, who had written the screenplay, was asked to travel to the location to make the necessary script revisions, but refused. The changes written in by William Roberts were deemed significant enough to merit him a co-writing credit. Newman refused to share the credit, though, and had his name removed from the film entirely. See more »
After Calvera and his men are driven from the village the first time, there is a sequence in which three of his men start taking potshots at the villagers from the trees. One of these shots strikes Chico's hat and knocks it off his head. He even sticks a finger through the hole after retrieving it, however in a scene just a couple minutes later, Petra (the Mexican girl) is talking with Chico. We can see there is no bullet hole in the front of his hat and at one point, he turns his head 180 degrees in order to look behind him and there is clearly no bullet hole in the back of his hat, either. It has simply disappeared. See more »
I heard you got a contract open.
Well, not for a high-stepper like you.
A dollar bill always looks as big to me as a bedspread.
See more »
Re-make are seldom as good as the original, but here Hollywood or rather John Sturges managed to capture some of the spirit of Kurosawa's 'Seven Samurai' which itself owes something to the 'Three Musketeers' and which Sturges duly acknowledged in the credits. Partly this is due to some inspired casting. With the exception of Yul Brynner, none of the actors was particularly well known at the time. Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Eli Wallach and Horst Buchholz (an unlikely Mexican) all went on to successful acting careers. The format of this film was replicated in many later films.
The plot couldn't be simpler. Desperate Mexican villagers, bled white by local bandits, retain a group of almost equally desperate gunslingers from the other side of the Rio Grand to deal with the bandits. A lot of the fun arises early on as leader Cajun Chris seeks out half a dozen suitably deranged but deadly types for the job. Ostensibly they are doing it for the money but it becomes apparent early on that they are really on the team just for the hell of it. Once they are together things don't quite go to plan, but the camaraderie holds up, and their mission is accomplished, though at considerable cost.
Despite all the action it is a character-driven piece in some ways. Eli Wallach's Calvera the bandit leader is more than a cardboard cut-out villain and Yul Brynner's enigmatic Chris keeps us guessing. The villagers, despite their matching white smocks, are not all lily-white and each of the Seven has at least one interesting weakness.
A strong feature of the film is the music, penned by the ubiquitous Elmer Bernstein, and entirely appropriate, with a main theme which seems to be permanently welded into my brain.
'The Magnificent Seven' was made at a time when the appetite for westerns was going into decline. Whereas westerns were staple film and TV fare in the 50's, the sixties saw a sharp decline, as spy dramas and sex farces burgeoned. One interesting theory I've heard about this is that it's not so much that the audience tired of westerns, but that TV executives discovered that they were being watched by the people too poor to buy their sponsor's fine products. Anyway this film holds up very well after 45 years, a true classic and satisfying to watch.
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