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The Magnificent Seven (1960)

 -  Western  -  23 October 1960 (USA)
7.8
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Ratings: 7.8/10 from 51,862 users  
Reviews: 226 user | 80 critic

An oppressed Mexican peasant village assembles seven gunfighters to help defend their homes.

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Title: The Magnificent Seven (1960)

The Magnificent Seven (1960) on IMDb 7.8/10

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Nominated for 1 Oscar. Another 2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Lee
...
...
Jorge Martínez de Hoyos ...
Hilario (as Jorge Martinez de Hoyas)
Vladimir Sokoloff ...
Old Man
Rosenda Monteros ...
Rico Alaniz ...
Sotero
Pepe Hern ...
Tomas
Natividad Vacío ...
Villager (as Natividad Vacio)
Mario Navarro ...
Boy with O'Reilly
Danny Bravo
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Storyline

A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of 40 bandits who will arrive wanting food. An Americanization of the film, Seven Samurai (1954) Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Plot Keywords:

village | bandit | mexican | farmer | showdown | See more »

Taglines:

They were seven - And they fought like seven hundred! See more »

Genres:

Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

23 October 1960 (USA)  »

Also Known As:

The Magnificent Seven  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Yul Brynner was married on the set; the celebration used many of the same props as the fiesta scene. See more »

Goofs

In the opening scene, when Calvera is complaining about religion, he takes the cup to drink in his left hand. As he sits at the table and finishes complaining, the cup is switches to his right hand. See more »

Quotes

Chris: I've been offered a lot for my work, but never everything.
See more »

Connections

Referenced in Auf Wiedersehen, Pet: A Law for the Rich (1986) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A classic all right
11 July 2004 | by (Sydney, Australia) – See all my reviews

Re-make are seldom as good as the original, but here Hollywood or rather John Sturges managed to capture some of the spirit of Kurosawa's 'Seven Samurai' which itself owes something to the 'Three Musketeers' and which Sturges duly acknowledged in the credits. Partly this is due to some inspired casting. With the exception of Yul Brynner, none of the actors was particularly well known at the time. Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Eli Wallach and Horst Buchholz (an unlikely Mexican) all went on to successful acting careers. The format of this film was replicated in many later films.

The plot couldn't be simpler. Desperate Mexican villagers, bled white by local bandits, retain a group of almost equally desperate gunslingers from the other side of the Rio Grand to deal with the bandits. A lot of the fun arises early on as leader Cajun Chris seeks out half a dozen suitably deranged but deadly types for the job. Ostensibly they are doing it for the money but it becomes apparent early on that they are really on the team just for the hell of it. Once they are together things don't quite go to plan, but the camaraderie holds up, and their mission is accomplished, though at considerable cost.

Despite all the action it is a character-driven piece in some ways. Eli Wallach's Calvera the bandit leader is more than a cardboard cut-out villain and Yul Brynner's enigmatic Chris keeps us guessing. The villagers, despite their matching white smocks, are not all lily-white and each of the Seven has at least one interesting weakness.

A strong feature of the film is the music, penned by the ubiquitous Elmer Bernstein, and entirely appropriate, with a main theme which seems to be permanently welded into my brain.

'The Magnificent Seven' was made at a time when the appetite for westerns was going into decline. Whereas westerns were staple film and TV fare in the 50's, the sixties saw a sharp decline, as spy dramas and sex farces burgeoned. One interesting theory I've heard about this is that it's not so much that the audience tired of westerns, but that TV executives discovered that they were being watched by the people too poor to buy their sponsor's fine products. Anyway this film holds up very well after 45 years, a true classic and satisfying to watch.


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