Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out ... See full summary »
Marshal Chris Adams turns down a friend's request to help stop the depredations of a gang of Mexican bandits. When his wife is killed by bank robbers and his friend is killed capturing the ... See full summary »
Lee Van Cleef,
When an Indian village is threatened by ex-Confederate soldiers, several villagers head out to seek help. They recruit seven men, each with unique skills, who return to the village and take... See full summary »
A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of 40 bandits who will arrive wanting food. An Americanization of the film, Shichinin no samurai (1954) Written by
John Vogel <firstname.lastname@example.org>
Steve McQueen wanted to act in this film but couldn't at first because the schedule of his TV series, Wanted: Dead or Alive (1958), wouldn't allow it. He crashed a car and while he was "out sick", he shot this film. See more »
During the final battle we see Bernardo slumping off a roof, onto a clay-tiled awning, and then crouching behind a brick wall. We next see him when he shoots a guy who is about to mount a horse. The guy ends up with blood only on the back of his shirt. If Bernardo shot him in the back we should see either Bernardo, the clay-tiled awning or the short brick wall in the background. If Bernardo shot him from any other angle there should be blood on the front or sides of the guy, not just on the back. See more »
You worry about yourself. Are you ready for him?
[refers to Calvera]
What if he comes now, huh?
Reminds me of that fellow back home that fell off a ten story building.
What about him?
Well, as he was falling people on each floor kept hearing him say, "So far, so good." Tch... So far, so good!
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Re-make are seldom as good as the original, but here Hollywood or rather John Sturges managed to capture some of the spirit of Kurosawa's 'Seven Samurai' which itself owes something to the 'Three Musketeers' and which Sturges duly acknowledged in the credits. Partly this is due to some inspired casting. With the exception of Yul Brynner, none of the actors was particularly well known at the time. Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Eli Wallach and Horst Buchholz (an unlikely Mexican) all went on to successful acting careers. The format of this film was replicated in many later films.
The plot couldn't be simpler. Desperate Mexican villagers, bled white by local bandits, retain a group of almost equally desperate gunslingers from the other side of the Rio Grand to deal with the bandits. A lot of the fun arises early on as leader Cajun Chris seeks out half a dozen suitably deranged but deadly types for the job. Ostensibly they are doing it for the money but it becomes apparent early on that they are really on the team just for the hell of it. Once they are together things don't quite go to plan, but the camaraderie holds up, and their mission is accomplished, though at considerable cost.
Despite all the action it is a character-driven piece in some ways. Eli Wallach's Calvera the bandit leader is more than a cardboard cut-out villain and Yul Brynner's enigmatic Chris keeps us guessing. The villagers, despite their matching white smocks, are not all lily-white and each of the Seven has at least one interesting weakness.
A strong feature of the film is the music, penned by the ubiquitous Elmer Bernstein, and entirely appropriate, with a main theme which seems to be permanently welded into my brain.
'The Magnificent Seven' was made at a time when the appetite for westerns was going into decline. Whereas westerns were staple film and TV fare in the 50's, the sixties saw a sharp decline, as spy dramas and sex farces burgeoned. One interesting theory I've heard about this is that it's not so much that the audience tired of westerns, but that TV executives discovered that they were being watched by the people too poor to buy their sponsor's fine products. Anyway this film holds up very well after 45 years, a true classic and satisfying to watch.
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