In 1825 an English aristocrat is captured by Indians. He lives with them and begins to understand/accept their lifestyles. Eventually he is accepted as part of the tribe and becomes their ... See full summary »
A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of 40 bandits who will arrive wanting food. An Americanization of the film, Seven Samurai (1954) Written by
John Vogel <firstname.lastname@example.org>
According to Eli Wallach's autobiography, Yul Brynner had a major problem with what he perceived as Steve McQueen's trying to upstage him. According to Wallach, McQueen would do things when on screen with Brynner to draw attention to his character. Examples were his shaking of the shotgun shells and taking off his hat to check the sun during the hearse scene and leaning off his horse to dip his hat in the river when the Seven cross into Mexico. Brynner was supposedly so worried about McQueen stealing his limelight in scenes that he hired an assistant to count the number of times McQueen touched his own hat when he [Brynner] was speaking. See more »
After Britt throws the knife into the cowboy in the rail yard, two train engineers are seen leaning out of the engine's window observing the scene. In the next shot, one of the engineers has moved to the platform between the engine and the tender car. See more »
They're afraid. She's afraid of me, you, him. All of us. Farmers! Their families told them we would rape them.
Well we might. But in my opinion you might have given us the benefit of the doubt. But just as you please...
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A brilliant classic, beautifully scored, shot and acted.
A wonderful classic beautifully scored and shot.
There are so many moody looks between characters, and little movements or idiosyncrasies that just make each of the gunmen seem so real. Apparently, there were big egos behind the camera that caused these acts of showmanship, but unlike most films where the egos clash, here they just build the characters up without harming them.
Yul Brynner and Steve McQueen are just wonderful, and James Coburn and Charles Bronson both put in equal performances. There's just nothing about this film that you can fault, the script is kept light when required and the stunning score lifts up and the acting is huge but never too much. This is a must see again and again.
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