In the midst of World War II, the story of the affair of a young woman, married to a man bound to a wheelchair, with a desertor from the Italian army, intertwines with that of the grab of ... See full summary »
Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry... See full summary »
Dalila Di Lazzaro,
Vittorio Borghi, a middle-aged journalist torn between young mistress and wife he no longer loves , returned to his hometown Mantua. There he remembers childhood in the era of fascism, war and ghost of another woman he never forgot.
Enrico Maria Salerno,
Tommaso, giovane di borgata, per conquistare l'amore di Irene organizza una serenata che finisce in una rissa, durante la quale ferisce un uomo con un coltello. Viene arrestato e condannato... See full summary »
Enrico Maria Salerno
In this sequel to Love Story (1970), grieving Oliver is being pressured by his in-laws to move on and take part in the family business. He meats a pretty heiress and they start dating, but memories of Jennie come rushing back.
When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is ... See full summary »
Plain-looking Giovanni Testa can barely support his family from his artisan wharf. Angelic son Carlito is the meat in the sandwich when Giovanni's sexy wife Teresa bitterly compares him to ... See full summary »
In the midst of World War II, the story of the affair of a young woman, married to a man bound to a wheelchair, with a desertor from the Italian army, intertwines with that of the grab of power of a very fanatical local fascist leader, who gets the hold with a massacre of Pacific opposers, among them, the father of the young desertor. Oppresive fog covers both dramas, as a reminder of how values such as courage, love and truth are fading. Written by
Francisco Báez <firstname.lastname@example.org>
"It Happened in '43" (1960) - directed by F. Vancini.
A remarkable film: emotional and austere, dark and shattering, quick, packed with absolute silence along with peoples' busy chatter. Ordinary, beautiful, & awful. It is profoundly atmospheric & deliciously gets under the viewer's skin: the dark winter, fog, cold, hiding, people in corners, against walls, stuck in rooms, against windows, under shadowy arcades, a night that seems like day and a day that's never fully lit. And yet the story is straightforward, not forced,nor intellectually pretentious. "A" goes to "b" goes to "c" with knife-edge clarity. At the center of the plot is a kind of Romeo-Juliet love story. Beautifully complemented by the film's last few minutes -- a shot to the present of 1960 -- which makes that past of 1943 all the more fascinating and horrible. Simultaneously remote and intimate; inescapable. A work of genuine cinematic substance & recognized as such in Europe: where it won "Lion d'or" and for which a young Pier Paolo Pasolini worked on the script. Plus it's profoundly Italian: aware of the crimes, the sins of the recent war, the inescapable pressures and violence of politics and class. And aware that people can only do so much. There is no escape. Everyone is at the mercy of larger forces. Why do people need to see zombie films when there is story, there is history, like this of such exquisite and unforgettable, unforgivable cruelty? This is a film to preserve, remember, study, and, perhaps, even learn from.
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