In the midst of World War II, the story of the affair of a young woman, married to a man bound to a wheelchair, with a desertor from the Italian army, intertwines with that of the grab of ... See full summary »
The film shows the history of the Neapolitan popular revolt against the invading Germans, during the second world war. During the four days in Naples the revolt turns over in just few hours... See full summary »
A populist right-wing tabloid newspaper tries to derail the official police investigation of a brutal murder of a young girl in order to help the fascist and right-wing candidates it supports in the upcoming elections.
Gian Maria Volonté,
Levante lives in a small city near Florence (Tuscany, Italy) and his life is plain and a bit boring, until the day the twister arrives: a bus with six Spanish flamenco dancers that will twist Levante and his family life.
The debut feature by acclaimed Italian director Paolo Sorrentino (Il Divo) is a stylish and blackly comic look at the dark side of fame. Evocatively set during the eighties, the film charts... See full summary »
Cesira and her 13-year-old daughter, Rosetta, flee from the allied bombs in Rome during the second world war. They travel to the village where Cesira was born. During their journey and in ... See full summary »
Arms dealer Yolaf Peterson aims to make a sale to guerilla Mongo, but the money is locked in a bank safe, the combination known only to Professor Xantos, a prisoner of the Americans. Yolaf ... See full summary »
In the midst of World War II, the story of the affair of a young woman, married to a man bound to a wheelchair, with a desertor from the Italian army, intertwines with that of the grab of power of a very fanatical local fascist leader, who gets the hold with a massacre of Pacific opposers, among them, the father of the young desertor. Oppresive fog covers both dramas, as a reminder of how values such as courage, love and truth are fading. Written by
Francisco Báez <email@example.com>
"It Happened in '43" (1960) - directed by F. Vancini.
A remarkable film: emotional and austere, dark and shattering, quick, packed with absolute silence along with peoples' busy chatter. Ordinary, beautiful, & awful. It is profoundly atmospheric & deliciously gets under the viewer's skin: the dark winter, fog, cold, hiding, people in corners, against walls, stuck in rooms, against windows, under shadowy arcades, a night that seems like day and a day that's never fully lit. And yet the story is straightforward, not forced,nor intellectually pretentious. "A" goes to "b" goes to "c" with knife-edge clarity. At the center of the plot is a kind of Romeo-Juliet love story. Beautifully complemented by the film's last few minutes -- a shot to the present of 1960 -- which makes that past of 1943 all the more fascinating and horrible. Simultaneously remote and intimate; inescapable. A work of genuine cinematic substance & recognized as such in Europe: where it won "Lion d'or" and for which a young Pier Paolo Pasolini worked on the script. Plus it's profoundly Italian: aware of the crimes, the sins of the recent war, the inescapable pressures and violence of politics and class. And aware that people can only do so much. There is no escape. Everyone is at the mercy of larger forces. Why do people need to see zombie films when there is story, there is history, like this of such exquisite and unforgettable, unforgivable cruelty? This is a film to preserve, remember, study, and, perhaps, even learn from.
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