During World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they ... See full summary »
A Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and full of prehistoric monsters and cavemen.
A sequel to The Land That Time Forgot. Major Ben McBride organises a mission to the Antarctic wastes to search for his friend (Doug McClure) who has been missing in the region for several ... See full summary »
Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile... See full summary »
John Phillip Law,
Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
Based on the HG Wells story. The world is delighted when a space craft containing a crew made up of the world's astronauts lands on the moon, they think for the first time. But the delight ... See full summary »
Professor Challenger leads team of scientists and adventurers to a remote plateau deep within the Amazonian jungle to investigate reports that dinosaurs still live there. Written by
Marg Baskin <firstname.lastname@example.org>
David Hedison was reluctant about making the film as he didn't think the material was any good. Seeing 'Jill St John' dressed in a pink outfit with a poodle on set didn't do much to make him think differently. Nevertheless, he applied himself anyway, to the extent that Irwin Allen offered him the lead in his next film, Voyage to the Bottom of the Sea (1961). Hedison turned it down but would later take a part in Allen's TV series based on the submarine film. See more »
The Plateau in the film has been described as a world that is "cut off from evolutionary development." If that were true then dinosaurs from different eras would not be in the same place, nor would there be any ape-men or humanoids. See more »
Unlike `The Lost Continent' (1951), this 20th Century Fox Cinemascope production had an ample budget -- but the money wasn't spent very well. A good cast (Michael Rennie, Claude Rains, Jill St. John, David Hedison, and Fernando Lamas) are all part of an expedition that discovers a plateau in South America where dinosaurs still thrive.
Unfortunately producer Irwin Allen elected not to use stop motion animation to create the dinosaurs. Instead, the audience is treated to two hours of disguised iguanas and enlarged baby alligators. Irwin Allen also co-wrote the script, which is burdened by an excess of soap opera melodrama. The good musical score, however, is by Paul Sawtell and Bert Shefter.
Top quality production values and good photography make the film easy enough to watch, but there's a tragic story behind `The Lost World'. Willis O'Brien, creator of `King Kong', spent several years during the late 1950s making preparations for a big-budget remake of his 1925 version of `The Lost World'. He made his pitch to producer Irwin Allen and the big wheels at 20th Century Fox, showing them the hundreds of preproduction drawings and paintings he had done. He succeeded in persuading them to make the film -- but Fox refused to let O'Brien do the film's special effects, substituting the poorly embellished reptiles instead.
From all reports, O'Brien's version would have been the greatest lost-land adventure movie of all time. Irwin Allen's lack of vision is puzzling in view of the fact that in 1955 he produced `The Animal World' with animated dinosaurs by Ray Harryhausen and Wills O'Brien! See my comments on `Animal World' for more info.
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