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Professor Challenger leads team of scientists and adventurers to a remote plateau deep within the Amazonian jungle to investigate reports that dinosaurs still live there. Written by
Marg Baskin <email@example.com>
Irwin Allen wanted stop motion for the special effects but the film's budget precluded that so they were forced to work with lizards and other reptiles. 20th Century Fox had no option but to slash the budgets of all their feature productions at the time as the costs over Cleopatra (1963) were starting to spiral out of control. See more »
When the party of adventurers are in a boat approaching the dock where they will meet their helicopter pilot, Challenger is ostentatiously holding his large black umbrella up as a parasol against the tropical sun. However, the angle of the sun is such that no part of him is shaded by the umbrella. See more »
[after the "brontosaurus" had destroyed the helicopter]
My radio's gone with it. That's the last of my wire stories, the end of outside contact.
The End of us.
See more »
Unlike `The Lost Continent' (1951), this 20th Century Fox Cinemascope production had an ample budget -- but the money wasn't spent very well. A good cast (Michael Rennie, Claude Rains, Jill St. John, David Hedison, and Fernando Lamas) are all part of an expedition that discovers a plateau in South America where dinosaurs still thrive.
Unfortunately producer Irwin Allen elected not to use stop motion animation to create the dinosaurs. Instead, the audience is treated to two hours of disguised iguanas and enlarged baby alligators. Irwin Allen also co-wrote the script, which is burdened by an excess of soap opera melodrama. The good musical score, however, is by Paul Sawtell and Bert Shefter.
Top quality production values and good photography make the film easy enough to watch, but there's a tragic story behind `The Lost World'. Willis O'Brien, creator of `King Kong', spent several years during the late 1950s making preparations for a big-budget remake of his 1925 version of `The Lost World'. He made his pitch to producer Irwin Allen and the big wheels at 20th Century Fox, showing them the hundreds of preproduction drawings and paintings he had done. He succeeded in persuading them to make the film -- but Fox refused to let O'Brien do the film's special effects, substituting the poorly embellished reptiles instead.
From all reports, O'Brien's version would have been the greatest lost-land adventure movie of all time. Irwin Allen's lack of vision is puzzling in view of the fact that in 1955 he produced `The Animal World' with animated dinosaurs by Ray Harryhausen and Wills O'Brien! See my comments on `Animal World' for more info.
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