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Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile... See full summary »
John Phillip Law,
Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
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Professor Challenger leads team of scientists and adventurers to a remote plateau deep within the Amazonian jungle to investigate reports that dinosaurs still live there. Written by
Marg Baskin <email@example.com>
Irwin Allen wanted stop motion for the special effects but the film's budget precluded that so they were forced to work with lizards and other reptiles. 20th Century Fox had no option but to slash the budgets of all their feature productions at the time as the costs over Cleopatra (1963) were starting to spiral out of control. See more »
In the exterior shots of the helicopter, Manuel Gomez can be seen in a tiny cockpit on top flying it (this also houses much of the rotor engine). When they approach the plateau, the interior cockpit expands to accommodate the Professor and the rest of the cast. See more »
Irwin Allen puts a saddle on the Conan Doyle novel and digs in the spurs in this silly adaptation of the eponymous book. Loaded with action but not much else, and well stocked with useless characters such as Frosty the poodle. SEE! Jill St.John, who starts off feisty but ends up as simpering baggage, explore the Amazon in pink tights. HEAR!! Michael Rennie murder the Spanish language. FEEL!!! The sense of loss as Fernando Lamas deadpans the line: "My helicopter". In an interview years later, David Hedison admitted that he HATED this movie, and it's easy to see why. With typical pre-release hype, Irwin Allen teased the public with promises of unbelievably authentic-looking monsters("like nothing you've ever seen before!"). Wrong: they were exactly like everything we've seen before. The actors, from Claude Rains to Fernando Lamas, are all good to very good, but not in this clunker. Their combined talents were wasted, as will be your money if you buy or rent this film. Get it ONLY if you feel compelled to complete a collection of '50s and '60s B-movies, otherwise: don't walk, run!
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