When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
Billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue. He goes to the theatre, where he sees Amanda rehearsing a song, and the director thinks him an actor suited to play himself in the revue. He takes the part in order to see more of Amanda. Written by
Ed Stephan <email@example.com>
Arthur Miller revised the script so that more emphasis was given to his wife, Marilyn Monroe. Gregory Peck, originally cast opposite Monroe, left the project, unhappy about the way his role had been diminished. He said the script was "now about as funny as pushing grandma down the stairs in a wheelchair." In addition he did not want to work with Monroe after hearing about her reputation for being late every day. Rock Hudson was considered an ideal replacement based on his ability to play comedy, but Universal would not release him. That pleased Monroe, who wanted Montand for the part. See more »
Amanda's hands during her dinner with Jean-Mark. See more »
How do people in show business look?
They don't. I mean, a girl can walk around backstage with nothing on except her good will and nobody'll even turn his head. The same girl, fully dressed, walks down an aisle of clerks in an office - pinched black and blue. What's the matter with you people, anyway?
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I saw this movie in Aug 4,2005. And I saw it again yesterday. Yes. this is one of the most hilarious movies I've ever seen. Marilyn's acting role, as Amanda Dell, was great. Here in this movie, Marilyn Monroe was not the Marilyn Monroe we know.
In Niagara(1953) and The seven year itch(1955), both of these movies, she portrays as sexy-starlet. But in this movie, she is a very pure and fragile theater-actress Amanda Dell. Well, we know her platinum blonde hair attracts a lot of men, but her character,in this movie, is very friendly to girls. May be many girls lost their feeling of inferiority after watching this movie.
And I saw Marilyn Monroe, Yves Montand, Tony Randall, Frankie Vaughan and Wilfrid Hyde-White plus Milton Berle(40 million Americans call him as a Uncle Milky?) Bing Crosby(i love his song 'White Christmas')and Gene Kelly. These luxurious casting combination is very fantastic.
I never expected Crosby and Kelly to appear. I saw a preview version of Let's Make Love, in there, no cameo appearances of in the preview. But Kelly and Crosby's cameo appearing made my eyes happy.
I think Marilyn's acting career is more valuable in her 30's than 20's.Because in her 20's, she portrayed us her physical attraction. Sometimes she enticed a man(Niagara), Sometimes vivacious(How to marry a millionaire), and sometimes valiant(River of No Return).
But in her 30's her character showed fragile, pure and vulnerable. I found out these phenomenon in this movie,Let's Make Love. So I can figure it out her acting was changed.
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