When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncle's newspaper to take on big business as an enemy of... See full summary »
Billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue. He goes to the theatre, where he sees Amanda rehearsing a song, and the director thinks him an actor suited to play himself in the revue. He takes the part in order to see more of Amanda. Written by
Ed Stephan <email@example.com>
Let's Make Love, the next to last film of Marilyn Monroe is a harmless piece of fluff, rather lazily directed by George Cukor. Marilyn was her usual temperamental self during the filming and I think Cukor decided to just let it slide.
Think mega-rich, a 1960s Donald Trump who speaks French and you have the character Yves Montand plays. Publicity agent Tony Randall calls it to Montand's attention that an off Broadway theater review is going to be satirizing him among other celebrities in the review. Montand decides to check things out for himself. And the star of the review is none other than Marilyn Monroe who Montand starts raising his blood pressure over. Who wouldn't.
20th Century Fox used this same plot device in 1937 in On the Avenue. That time it was rich débutante Madeleine Carroll and her choleric father George Barbier are being satirized in a show being directed by Dick Powell who stars in it as well. It was much better done there. Of course they also had an original Irving Berlin score to help. And Barbier was always playing those kind of roles. It fit him naturally.
Montand is cool and unflappable. I can believe he wants Marilyn, but I can't believe that this is how he would meet her.
Unless one is an egomaniac like Donald Trump, I don't think most people would care about what some off Broadway show that few will ever see, says in some satirical sketch.
A lot of talented people were involved in the making of this and it seems a colossal waste of time. Marilyn and Montand and British pop star Frankie Vaughan had some nice numbers to sing.
And we can't forget the three unbilled cameos of Milton Berle, Bing Crosby, and Gene Kelly who Montand enlists in his quest to win Marilyn. Their scenes with Montand are the best thing about the film.
One other thing though. I can believe Berle and Kelly would come if summoned by Montand. But Crosby, you're talking about a guy who was as rich the character Montand played.
9 of 15 people found this review helpful.
Was this review helpful to you?