When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncle's newspaper to take on big business as an enemy of... See full summary »
Billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue. He goes to the theatre, where he sees Amanda rehearsing a song, and the director thinks him an actor suited to play himself in the revue. He takes the part in order to see more of Amanda. Written by
Ed Stephan <email@example.com>
Evelyn Moriarty remembers Marilyn making an anonymous donation of $1,000 to a crew member on set who needed the money to cover funeral expenses for his wife. See more »
When Amanda jogs out of theater, she passes same stores twice. See more »
Oh, the gentle art of conversation is deader than the dead sea scrolls. We've become the mutest kind of nation. We're un-communicating souls. No one talks. No one talks. It's something we seldom ever do. No one talks. No one talks.
No one talks but... you.
See more »
I was pretty unimpressed with this movie, to be frank. There was something about every aspect of it that didn't quite add up and you're left with an essentially dull film, which you're not really too concerned about by the end. I am a huge fan of Marilyn but I don't feel she was at all her best in this picture, and I don't think that's entirely her fault - the film around her is incredibly flimsy. The dialogue is often wooden and unconvincing, and Montand's character and his storyline are just totally unbelievable - nothing of what he says or what he does was convincing to me and this really brought the film down very hard and very quickly. The musical numbers are pretty standard fair and were nothing Marilyn hadn't done before. The film didn't make me laugh and I didn't care what happened to the characters. If anything I was only sad the talented Marilyn Monroe was a part of the film - as her portfolio shows she was deserving of far higher quality films than this. I can't recommend the film as it's not really worth your time and you probably won't enjoy it - if you just want to see all of Monroe's film's than see it, but otherwise don't bother.
8 of 12 people found this review helpful.
Was this review helpful to you?