Jojo has been living for a while in a room under the roof of a block of flats in Pigalle. He has chosen to leave home since he realized his stepmother has hated him from day one. Among his ... See full summary »
Those five are unemployed penniless workers. Together they win 100,000 Francs with the national lottery. Instead of sharing the money, they buy a ruin and build an open-air cafe. But ... See full summary »
Handsome and rich Spanish gentleman abandons his wife and riches for his love of a young girl of poor stock who taunts and degrades him. Only after she has humbled him mercilessly does she offer him her love in the end.
André Chatelin is a restaurant owner in Les Halles in Paris. One morning, a girl named Catherine asks to see him. She happens to be the daughter of his estranged wife, Gabrielle, that André... See full summary »
Alfred Boulard, a good-natured electrician, gives his blood to save Mona Thalia, a great theater actress. Mona Thalia survives and Boulard becomes the man of the hour. Grateful to him, Mona... See full summary »
Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to ... See full summary »
José Antonio Nieves Conde
In the absence of his wife, a clarinet player is induced by a friend to meet a call girl, but arrived after a crime. Perceived by some people leaving the scene of the crime covered by his ... See full summary »
This international production (made by a noted French director with a largely German crew and an Italian leading lady in Giulietta Masina!) is basically a reworking of the latter’s signature film – NIGHTS OF CABIRIA (1957; which was helmed by her real-life spouse, Federico Fellini). Here, she’s a working-class girl trying her fortune in Berlin: during the course of the film, in fact, the heroine assumes the duties of a secretary (with Gert Frobe as her boss), stage actress (though her contribution extends to just one line of dialogue!) and maid (becoming involved with both the elderly owner of an upper-class household and his son).
Besides, she receives a gift for spending a platonic evening with a stranger, pinches a fur coat from an establishment, fights with her best friend over the attentions the latter’s fiancé gives to Masina(!), casually bumps into her own (now disheveled) former lover, etc. Again, as in CABIRIA, the heroine manages to find a compatible i.e. meek partner at long last (in this case, Hannes Messemer) – but the relationship is similarly short-lived (here, due to the lover’s continuing attachment to his previous girlfriend).
Once one has recovered from the fact that Masina is the unlikeliest of gold-diggers and irresistible women, the film – which, as can be deduced from the above (and like CABIRIA itself), adopts an episodic structure – is an O.K. comedy-drama with the occasional sharp observation to make about the lifestyle prevalent in big cities at the time (and, therefore, can be deemed valuable as a time-capsule) and a smattering of wit throughout…but also several instances of melancholia (shattered dreams of glory, pimping, wife-beating, suicide, mistreatment of an invalid, etc).
At the end of the day, however, the film emerges as a very minor effort in the director’s canon – and, truth be told, one I’d never heard of myself prior to its appearance early one morning on Italian TV!
1 of 2 people found this review helpful.
Was this review helpful to you?