The Young One (1960)

A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.

Director:

Luis Buñuel

Writers:

Peter Matthiessen (story), Hugo Butler (screenplay),

Stars:

Zachary Scott, Bernie Hamilton, Key Meersman

1 win & 1 nomination.

Cast

Cast overview:
Zachary Scott	...	Miller
Bernie Hamilton	...	Traver
Key Meersman	...	Evalyn
Crahan Denton	...	Jackson
Claudio Brook	...	Rev. Fleetwood

Storyline

Game warden Miller lives on an isolated island off the Carolina coast. The only other inhabitant is Evvie, an naive young girl to whom Miller is attracted. Traver, a black musician on the run from a lynch mob after falsely being accused of rape, lands on the island. Miller wants to turn him in and remove him from the tryst, but Evvie likes Traver and protects him. A preacher arrives from the mainland to rescue Evvie from her situation, and Traver's presence is discovered. Miller is now forced to decide whether to turn him over to the mob and lose standing in the girl's eyes.

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Plot Keywords:

island | lynch mob | hunting reserve | civil rights | actual animal killed | 

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Genres:

Drama

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Details

Country:

Mexico USA

Language:

English

Release Date:

18 January 1961 (USA)

Also Known As:

White Trash

Filming Locations:

Acapulco, Guerrero, Mexico

Company Credits

Production Co:

Producciones Olmeca

Technical Specs

Runtime:

96 min

Sound Mix:

Mono (RCA High Fidelity)

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Connections

Referenced in Polyester (1981)

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Soundtracks

"Sinner Man"
Sung by Leon Bibb
Arrangement . Milton Okun
As recorded by VANGUARD RECORDING SOCIETY

User Reviews

Underrated

Young One, The (1960)

**** (out of 4)

An innocent black man (Bernie Hamilton) is accused of rape by a white woman so he runs off into the swamps of Louisiana. Once there he meets a young (11-13 year oldish) white girl (Key Meersman) and her racist guardian (Zachary Scott) who is also having sex with her. I've seen quite a few Luis Bunuel films now and earlier I said I wished he would do a normal film and tell a normal story without all the dreams and surreal aspects. Well, this is a film like that and I must say it's subject matter is still quite graphic and hard to watch even forty-six years after being released. I have a hard time imagining this thing got released in America due to its sexual and racist nature but apparently it did as the IMDb lists an American title for the film. It's also worth noting that this pre-dates To Kill a Mockingbird but this film here goes a lot further than that film even dreamed. The "N" word is constantly thrown around and unlike the blaxploitation films that would follow a decade later or the earlier Sidney Poitier films, that word has never had a more damaging saying than what's on display here. I'm not exactly sure what the director felt about race but every time that word is said it's used in such a graphic and evil way that you can't help but want to wash your ears out. Race is an issue throughout the film but thankfully Bunuel never lets his message get preachy. He lets the viewer see the hypocrisy and that's enough. The sexual aspect is also quite shocking since there are a couple love scenes between the older guardian and the younger girl. Bunuel also doesn't shy away from showing the girl taking a shower, showing shots of her legs and even a shot of her breasts. No nudity is used and in some ways this makes it seem all the more dirty because of the innocence lost. The performances are all remarkable and even in their most evil ways, the actors make you care for them. Scott steals the film as the racist redneck who's also having sex with the young girl. Just watch the actors eyes and you'll see him thinking, which is something a lot of actors don't do. The thinking of whether or not he should kill the black man and if it's right for him to be sleeping with this girl. The three actors are always looking at one another and you can see that they are thinking about their actions and what could follow. I was rather shocked to see this film get a * 1/2 in Leonard Maltin's movie guide but I guess this film would be rather hard to watch for most people. It doesn't shy away from its subject matter and Bunuel hits the viewer with punches from all sides. The film shows evil and bad people but he also shows the good in such people so it's rather refreshing to see a film that deals with race and isn't one sided towards any point of view.