Orphaned lives a poor lifestyle in Central India and makes living singing songs. One day he comes to the assistance of an injured man, and before he knows it, he is abducted and held by a ...
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Abused by an oppressive brother-in-law Gajendra (Pran), Ramchandra (Dilip Kumar) runs away from home, and ends up in a small village where he is mistaken for Shyamrao (also Dilip Kumar), ... See full summary »
Mr. Gupta passes away after an accident while on duty, leaving behind his ailing wife and school-going son, Ramnath. Both await for some compensation, and when they are informed that the ... See full summary »
Two womanizing slackers, Omi and Jai (Rakesh Bedi and Ravi Baswani respectively) attempt to woo the new girl in the neighbourhood, and fail - miserably. Their third room-mate, shy, and a ... See full summary »
Circa British rule in India, Harnam betrays a freedom fighter, and as a result is rewarded, but the freedom fighter is killed, leaving his wife, and family devastated and destitute. Years ... See full summary »
Mohan Sharma (Tarun Bose) is a workaholic, whose life changes dramatically after his wife dies upon giving birth to their daughter Uma (Sharmila Tagore). He despises the daughter by day, ... See full summary »
Janki Kapoor (Nutan) and her two sons (Ravi Kapoor and Vicky Kapoor) come from a poor middle class family, and have difficulties making ends meet. To add to this burden, the family has to ... See full summary »
Of unknown parentage, as he was abandoned as a child, calling himself Brahmachari (Shammi Kapoor) lives in a heavily mortgaged house, with twelve other young orphans, and a servant/former ... See full summary »
Nirmala Gupta runs her household and family in a very strict and authoritarian manner. While most of her family resent this, they do obey her and carry out her instructions, so as to be on ... See full summary »
Orphaned lives a poor lifestyle in Central India and makes living singing songs. One day he comes to the assistance of an injured man, and before he knows it, he is abducted and held by a band of bandits, who believe that he is an undercover policeman. The man he assisted is none other than Sardar, the bandit's leader, who treats him like a honored guest, and eventually his daughter, Kammo, and Raju fall in love with each other. Kammo convinces Raju that they are socialists and are just making sure that wealth is equally distributed. Then Raju is asked to accompany the bandits to a wedding feast where he witnesses a child, and the wedded couple getting killed. He figures that he has had enough and goes to the Police, who decide to confront and kill the bandits. Unable to see their deaths, Raju goes to warn the bandits, but is shunned. Than a militant bandit named Raka kills the Sardar, takes over the bandits and decides to forcibly wed Kammo. The question is what can Raju do under ... Written by
This was the first film raj kapoor made without nargis as heroine. Raj kapoor wanted to know that could he make a film without nargis. After this film Raj kapoor knew that he can. Pran benefited from this film because of the role and his perfomance. This was the last RK film in b/w. During the shooting of this film, Raj Kapoor got the idea of ram teri ganga maili, which he made after 20 years. See more »
I'd rate this as one of my favorite Raj Kapoor films, even though he didn't direct it, right up there with Shree 420. I like the music a lot, especially, the drumming and percussion. The dancing is pretty fun too, particularly when Padmini and Chanchal are jumping around together. I also liked the water ballet sequence, when the women are leaping into the the pool. This movie had a number of the elements I appreciate in a Raj Kapoor film, besides the music: the river symbolism is well-developed,and Raj plays one of his trademark simple, good-hearted tramps who prevail despite the odds -- without TOO much melodrama (which I don't care for.) I tend to prefer earlier films, both from Raj Kapoor specifically and from Bollywood in general -- from the sixties on they get too westernized for my taste, and the dacoit setting here places the story squarely in Indian territory. I also liked Padmini's spunky energy, and her repeated exclamation "Hoi hoi hoi!" (whatever that means, I'd like to know,) it really got stuck in my head!
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