A serial killer walks the streets of Whitechapel, London, attacking and killing women, which later came to be known as the 'Whitechapel murders' stretching from 3 April 1888 to 13 February ... See full summary »
The movie chronicles the events of history's "man of mystery," Rasputin. Although not quite historically accurate and little emphasis is put on the politics of the day, Rasputin's rise to ... See full summary »
In this mystery, Holmes pursues his archenemy Moriarty to New York City, in which the villainous scoundrel has carried out the ultimate bank robbery. Meanwhile, Holmes enjoys a blossoming ... See full summary »
In 1888, Jack the Ripper is on his killing spree. Scotland Yard Inspector O'Neill is pleased to welcome to London his old friend Sam Lowry, a New York City detective who has come to visit him and is only too happy to help out with the case. Sam becomes attracted to Anne Ford, a modern woman for the age, but her guardian, Dr. Tranter doesn't quite approve. The good doctor also seems to be out when the Ripper murders occur. As the population edge ever loser to taking the law into their own hands, the police slowly close in the killer. Written by
Jimmy McHugh and Pete Rugolo, the composers for the U.S. version of the film, teamed with Steve Allen to write a novelty song called "Jack the Ripper" as a promotional item for the film. The song was performed by Nino Tempo on a RCA 45 rpm single (#47-7694). See more »
Considering an obviously small budget this film is well written and has an authentic "foggy Victorian look" about it,aided by a complimentary Stanley Black score.It's real merit is the fine character performances especially Euan Solon as a very autocratic hospital surgeon and it is also interesting to see John Le Mesurier far removed from his mild mannered Sargeant Wilson of Dad's Army.The East End/Whitechapel appears to be inhabited by an array of unsavoury characters from music hall impresarios,run of the mill pickpockets and aggressive vigilante thugs.
Still,the plot unwinds at a reasonable pace and the Lee Patterson/Betty McDowell romance doesn't interfere too much with the grizzly goings on in the streets.The final unmasking of Jack is quite unsettling in its brutality,but all the loose ends are nicely tied up with the realisation that due to circumstance(i.e. Jack the Ripper is killed) the true identity of the killer will always be known to the police but not the public.
Well worth a look if you like this genre of film.
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