Mike Hamilton, a Philadelphia lawyer, comes to Naples to settle the estate of his long estranged "black sheep" brother. Once there, he discovers that the deceased has left an eight-year old... See full summary »
Vittorio De Sica
After mobsters murder her husband, Rose Bianco works long hours making artificial flowers, to support herself and her son. Some suspect that Rose's demand for a lavish lifestyle pushed her ... See full summary »
Peter Mark Richman
Sam Burton's second wife Neddy is Indian, their son Pacer a half-breed. As struggle starts between the whites and the Kiowas, the Burton family is split between loyalties. Neddy and Sam are... See full summary »
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
In 1944, Kay and Jane travel on an overnight train from Miami to New York, accompanied by Harry. Kay is the mistress of "The Man", a rich industrialist, whom they are to meet so that they ... See full summary »
Ephraim Cabot is an old man of amazing vitality who loves his New England farm with a greedy passion. Hating him, and sharing his greed, are the sons of two wives Cabot has overworked into ... See full summary »
Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza. Complications arise and the troupe heads for Bonanza, through hostile Indian territory. Is the troupe doomed to a peripatetic life, is Mabry in danger, and does Tom stand a chance with Angela, a hellion in pink tights? Written by
This film is really very badly directed - which is amazing given Cukor's excellent filmography. He rarely focuses the attention of the viewer where it should be - and seems obsessed with close-ups on Sophia's eyes. I wonder if Carlo Ponti interfered a lot here - as Sophia is rarely out of shot, to the detriment of the other characters and the film. This is one of Sophia's worst performances - she seems to be struggling with her lines - although she looks good blonde. The excellent supporting cast is wasted - even Anthony Quinn is allowed little screen time. Eileen Heckhart is allowed even less time, but it's interesting to see child actress Margaret O'Brien in a rare adult role. Her little girl voice is jarring however. The only reason to see this film is to witness the final performance of the legendary Ramon Novarro. He is splendid and stylish as the villain - a great lesson in screen acting, although again we don't see enough of him. Is there a story about the making of this film? I wonder if Cukor had to battle the Ponti-Loren partnership and was forced to give too much screen time to Sophia. What a mistake!
13 of 26 people found this review helpful.
Was this review helpful to you?